So now that the summer of superhero movies have come to a close, what’s there to look forward to? Well, there’s a number of exciting films on the horizon actually. One flick in particular, though, would have to be Andy and Lana Wachowski (the Matrix trilogy) and Tom Tykwer‘s (Run Lola Run) Cloud Atlas .The trailer for it hit just a few days ago, and my lord…it’s poised to be one heck of a Sci-Fi spectacle! I for one, am astonished at how wildly imaginative it is. There are six stories in the movie that the characters will appear in that cross through different genres and take place of over the course of a thousand years. (Basically, all the actors play different characters in different time frames of the story). I mean come one, how ambitious does sound? Plus, with this being a Wachowski joint, you know it’s going to be a visual treat.
If you haven’t checked out the trailer I implore you to do so (I’ve embedded it after the jump). I think you’ll be impressed. For the rest of you, Warner Bros. has launched the official website for the film, and included in the website are photos from every single character in the film. In these photos you’ll see variations of actors Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Xun Zhou, Keith David, David Gyasi, Susan Sarandon and Hugh Grant.
Sure, some of the make-ups look like they were done from booted contestants from SyFy’s Face-Off, but it’s kind of remarkable how distinctly different each actor looks. Some of them are completely unrecognizable.
The novel consists of six nested stories that take the reader from the remote South Pacific in the nineteenth century to a distant, post-apocalyptic future. Each tale is revealed to be a story that is read (or observed) by the main character in the next. All stories but the last are interrupted at some moment, and after the sixth story concludes at the center of the book, the novel “goes back” in time, “closing” each story as the book progresses in terms of pages but regresses in terms of the historical period in which the action takes place. Eventually, readers end where they started, with Adam Ewing in the Pacific Ocean, circa 1850.
Here’s a breakdown of each story told in the novel:
The Pacific Journal of Adam Ewing
Pacific Ocean, circa 1850. Adam Ewing, an American notary’s account of a voyage home from the remote Chatham Islands, east of New Zealand. The next character discovers this story as a diary on his patron’s bookshelf.
Letters from Zedelghem
Zedelgem, Belgium, 1931. Robert Frobisher, a penniless young English musician, finds work as an amanuensis to a composer living in Belgium. This story is saved in the form of letters to his friend (and implied lover) Rufus Sixsmith, which the next character discovers after meeting Sixsmith.
Half-Lives: The First Luisa Rey Mystery.
Buenas Yerbas, California, 1975. Luisa Rey, a journalist, investigates reports of corruption and murder at a nuclear power plant. The next character is sent this story in the mail, in the form of a manuscript for a novel.
The Ghastly Ordeal of Timothy Cavendish
United Kingdom, early 21st century. Timothy Cavendish, a vanity press publisher, flees the brothers of his gangster client. He gets confined against his will in a nursing home from which he cannot escape. The next character watches a movie dramatisation of this story.
An Orison of Sonmi~451
Nea So Copros (Korea), dystopian near future. Sonmi~451, a genetically-engineered fabricant (clone) server at Papa Song’s diner (a proxy for large fast-dining chains), is interviewed before her execution after she rebels against the capitalist totalitarian society that created and exploited her kind. The next character watches Sonmi’s story projected holographically in an “orison,” a futuristic recording device.
Sloosha’s Crossin’ an’ Ev’rythin’ After
Hawaii, post-apocalyptic distant future. Zachry, a tribesman living a primitive life after most of humanity dies during “the Fall,” is visited by Meronym, a member of the last remnants of technologically-advanced civilization. This story is told when the protagonist is an old man, to seemingly random strangers around a camp-fire.