Features

Nothing says redundant, unnecessary, and unneeded like a beat-for-beat, (nearly) shot-for-shot remake of a beloved animated classic like the faux-live-action (re) iteration of Disney’s beloved, 1994 animated classic, The Lion King. Since its premiere twenty-five years ago, The Lion King has become a permanent pop-culture fixture, passed on from generation to generation as one of – if not, the – highlights of Disney’s animation renaissance. Like practically ever Disney film-turned –classic, it’s become a self-perpetuating brand of its own, expanding to straight-to-video sequels, animated TV series, and a Broadway musical that’s become the highest grossing musical of all time. In short, we didn’t need a faux-live-action remake of a classic, maybe just a re-release or even a big-screen, old school animated sequel. For the Disney Industrial Complex eager to exploit its back catalog of animated classics, a live-action (or faux-live-action) version of The Lion King was all but inevitable. Just because you can, though, doesn’t mean you should. The bland, dull, ultimately soporific result, however, suggests that for once, the Disney Industrial Complex erred badly. (more…)

Toynk Toys Brings Their A-Game For SDCC

 

San Diego Comic Con is like the Nerd Holy land. Nerds from all over the world gather to socialize, network, get the latest news, see celebrities and of course, find awesome loot. Well Toynk Toys is here to give you a heads up on what they’ll be bringing to SDCC. You can be sure to find more of the best quality, officially licensed items that you’ve come to expect for Toynk Toys. X-Men, Avengers, Star Wars, Doctor Who, Fallout 76, and much more will be represented at SDCC. Have you gotten your SDCC tickets yet? What the heck are you waiting for??

 

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Horror traditionally unfolds in the dark, exploiting our most primal, lizard-brain fears: What we can’t see can – and often does – kill us (it did where our first, bipedal ancestors were concerned), but horror can happen anywhere, not just in the dark. It can happen in a calm, quiet, idyllic settings, like a suburban or rural home. It can happen also under the glaring, never-ending glare of the midnight sun, as perpetually grinning, muslin-clad, pagan cultists invite you and yours to participate in their unique celebration of the summer solstice. And if you’re the typical “ugly American,” entitled, white (or white-adjacent), and privileged, you won’t live to see the end of summer. Part homage to the folk-horror of The Wicker Man, the rural terror of The Texas Chainsaw Massacre, the Americans abroad sub-genre typified by Hostel, and part relationship melodrama, Ari Aster’s (Hereditary) second film, Midsommar, confirms his status as a one-of-a-kind generational talent. (more…)

Spider-Man: Far From Home arrives in multiplexes as the third entry in the Marvel Cinematic Universe (MCU) in five months (the 23rd overall in only 11 years), as an epilogue/coda to Avengers: Infinity War/Endgame and Phase 3, and finally, as a semi-anticipated sequel to Spider-Man: Homecoming. It’s also an exercise in brute-force brand maintenance, primed to sell Avengers and Spider-Man-related merchandise, including, of course, Spider-Man action figures (Spider-Man wears four superhero suits in the new film, from the Iron Spider suit introduced in Avengers: Infinity War, his first, Tony Stark-given tech suit originally seen in Captain America: Civil War, an all-black stealth suit, and a new hybrid suit that swaps out the familiar blue with black, but otherwise keeps Steve Ditko’s design aesthetic). But branding saturation or superhero fatigue isn’t the most significant problem with the Spider-Man: Homecoming sequel: It’s both the not unexpected over-reliance on the late Tony Stark’s long shadow as a central plot driver and yet another weak, underwritten, ultimately underutilized supervillain (minus the “super” part). (more…)

Our friends at Toynk Toys are out again, this time at Anime Expo 2019 in Los Angeles. Toynk Toys is known for bringing fun, quality, highly collectible merchandise to everyone who plays with and collect toys, regardless of age. At Anime Expo 2019, you can expect more of the same. Enamel pins, Campos notebooks, and mystery boxes, all My Hero Academia themed await Anime fans at the Toynk Toys booth. But that’s not all. Toynk Toys will also have a ton of the home and office supplies, collectibles and toys from many other franchises, all officially licensed. What do the mystery boxes contain? Where can you find Toynk Toys at the expo? NerdBastards is here to answer all these questions and much more.

 

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A semi-sequel to the Conjuring films and a direct sequel to Annabelle – in the head-scratching, over-convoluted chronology of the James Wan-produced Conjuring universe, Annabelle appeared up in movie theaters before Annabelle: Creation (even evil dolls deserve origin stories, apparently) –  Annabelle: Creation covered related key, mythology-expanding events that unfolded before Annabelle (making it a prequel to a prequel). Annabelle Comes Home finds the super-creepy doll (and demonic conduit) with the rictus smile and unblinking blue eyes front-and-center again, this time terrorizing Ed and Lorraine Warren’s (Patrick Wilson, Vera Farmiga) preteen daughter, Judy (McKenna Grace), her ultra-competent babysitter, Mary Ellen (Madison Iseman) and Mary Ellen’s oddly death-obsessed best friend (forever), Daniela Rios (Katie Sarife) over the course of a single, inexplicably foggy night. Annabelle Comes Home delivers everything audiences loyal to the Conjuring universe have come to expect, up to and including the obligatory slow-build, slow-burn scenes punctuated by the appearance of a ghostly apparition, occasional jump scares (earned and unearned), and the periodic injection of cathartic humor to offset the potential grimness of the proceedings. (more…)

 

Steve Ekstrom is a writer, editor, letterer, and Indie comic producer. He has successfully Kickstarted projects, worked as a journalist for nerdy news outlets, and started his own indie comics studio, Imminent Press.

NerdBastards.com had a chance to talk with Steve about his career in comics, his love for writing, and his experiences in the indie comic scene, and it is fair to say that we learned a lot. Please enjoy this next installment in our ongoing series of interviews with indie comic creators. (more…)

If nothing else, we can thank Tim Burton‘s 1989 film for the explosion of the Bat-franchise. Even if you hate the flick (and I understand there are some that do), we all owe it something. Without it, we don’t get the brilliant animated series that kept much of its tone (and Danny Elfman‘s glorious score), we don’t get nearly as many Batman action figures and t-shirts. Sure, someone would have made a Batman film eventually, even if this one never got off the ground. But it did, and thus it’s the launch pad not just for the Batman franchise, but for the modern age of superhero cinema.

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As a fictionally famous scientist once said, more as a warning than a promise, “Life finds a way.” The same or similar idea applies to Disney-Pixar and the relentless desire and/or drive to leave no piece of intellectual property, even one as beloved by multiple generations as the Toy Story series, unexploited, regardless of the risks involved. The potential billion-dollar upside was simply too much for any profit-oriented movie studio to pass up. At least that’s what the average cynic would say, especially given the toyetic nature of the Toy Story series and a third, presumably final chapter, Toy Story 3, that seemed to end the series on the highest of high notes. Luckily, any fears or concerns about a potentially disappointing fourth entry don’t apply to Toy Story 4, an unreserved, unqualified triumph of story, character, and animation. It’s an all-ages appeal with more than simple, surface-deep pleasures but a film that will join the Pixar pantheon as both a series and a studio best.  (more…)

Every once in a while a young creator steps forward and brings the world something unique. Something fresh. Ryan Hääck has shared with the world his Unspeakable Text. A comic book horror anthology that exposes an evil book, a collection of tales throughout history that supernatural forces tried to force the world to forget. Ryan, along with ten fabulously talented artists are seeking to make these stories into a collection under one cover. Join Ryan Hääck and the artists behind these spine-tingling tales, help them see their horrors to reality and get some awesome reward goals for yourself to boot.

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