NASA is known for being bad-asses who fly spaceships and satellites through space, landing rovers on distant planets, and occasionally being funny as hell on the internet. And after fans cry out for NASA to “Save Tony Stark” in the wake of the Avengers: Endgame trailer. NASA took to Twitter, tagging Marvel and Avengers with advice. Robert Downey Jr. replies and suddenly the trolls and bots on Twitter don’t matter. Few places on the internet can you find such wonderful, fun, entertaining interaction between government entities, entertainment companies, and celebrity actors.
Adapted, produced, but not directed by Peter Jackson (The Lord of the Rings trilogy, The Hobbit mega-series) – that honor (assuming it’s an actual honor) goes to longtime Jackson collaborator and visual effects man Christian Rivers – Mortal Engines, a steampunk Mad Max meets Star Wars (all of them) crossed with The Terminator sci-fi tale that unfolds in a wholly absurd, post-apocalyptic future, earns the no longer rare distinction of being both a franchise starter and a franchise ender rolled up into one disappointing package. An overlong, over-loud, derivative revenge-plot occasionally elevated by semi-inventive production design and semi-convincing CG, Mortal Engines was made for the long forgotten and currently non-existent fans of Philip Reeve’s 2001 YA novel, the first in a quartet that obviously piqued Jackson’s desire to find another potentially profitable, spectacle-driven sci-fi or fantasy series. Apparently, though, someone forgot to tell Jackson or his legion of collaborators at WETA digital and elsewhere. (more…)
Fans have been waiting with bated breath for the first trailer for the 4th Avengers movie. Some expected it to drop on Black Friday and were disappointed when there was no sign of the trailer. Now that the trailer is here, people can’t stop talking about it. The trailer brings back people fans missed out on in the last movie in surprising ways and reveals what fans are calling the biggest loss from Infinity War. What could make fans sadder than losing Spider-Man? NerdBastards breaks down the trailer and gives fans not privy to comic book history some clues as to what’s going on the trailer for Avengers: Endgame.
Looking back, it wasn’t the military might, economic power, or moral right that won the Cold War for the United States and its Western European allies, but onetime underdog turned world heavyweight champion and Reagan-era propagandist Rocky Balboa (writer-director-actor Sylvester Stallone) who entered the ring against symbolic incarnation of the Russian Soviet Empire, Ivan Drago (Dolph Lundgren), and knocked him down flat. America won, but it took another four years before the Soviet Empire dissolved into Russian and former Eastern and Southern satellite countries. Thirty years later, the Soviet Empire might be a half-forgotten memory, but for Rocky and Drago, the Cold War never really ended. It just went into a deep Artic freeze, waiting for the perfect opportunity – a stealthy, unexpected, ultimately rousing combo of carefully calculated nostalgia and the one-two punch of filmmaker Ryan Coogler and actor Michael B. Jordan – to thaw and get the sequel Stallone apparently always wanted. (more…)
You don’t have to be a verbal anti-Disney critic or an all-around cynic to recognize that Ralph Breaks the Internet, the six-years-in-the-making sequel to Wreck-It Ralph, the incredibly inventive videogame-inspired animated film and modest box-office hit (by Disney standards), functions as keen, insightful storytelling, and a cautionary tale about our social media- and Internet-obsessed culture, and maybe most importantly of all to Disney’s shareholders, as a two-hour commercial for Disney’s wealth of pop-culture products. Ralph Breaks the Internet never breaks stride during its nearly two-hour running time – a compliment in and of itself – when the story segues into a branded exercise in modernizing Disney’s princesses or throws tangential asides for Disney’s other, more recently purchased studios – and cinematic universes of their own, Star Wars and, of course, Marvel’s stable of superheroes. (more…)
Move over Die Hard, Christmas has a new favorite action flick. Deadpool 2 gets a retelling as PG-13 movie. Bringing in a special guest and shooting some extra footage, the Deadpool team returns to give us a family-friendly version of the Merc With A Mouth. With extra laughs, new never-before-seen footage, and new faces, Once Upon A Deadpool is sure to be fun the whole family can enjoy. Ryan Reynolds who plays the titular character has been saying “no” to a PG-13 Deadpool for years. He finally caved to a PG-13 release with a couple of conditions…
Less an artistic leap forward than a strictly commercial one, Widows, director Steve McQueen’s (12 Years A Slave, Shame, Hunger) six-year-in-the-making follow-up to the 2012 Best Picture winner, 12 Years a Slave, tries to strike a path between The Wire-influenced social and political commentary and a conventional heist thriller with a semi-subversive gender twist. It almost succeeds, largely due to McQueen’s keen eye for visual composition, intuitive sense of pacing, and an incredibly strong, talented cast that begins, but doesn’t end, with Academy-Award Winner Viola Davis (Fences), Australian actress Elizabeth Debicki (The Night Manager, The Great Gatsby), Michelle Rodriguez (the never-ending Fast & Furious series), and Tony winner Cynthia Erivo (Bad Times at the El Royale). And that’s just the top-line cast. Several paragraphs can be devoted to every perfectly cast, note-perfect performance in Widows. (more…)
When Fantastic Beasts and Where to Find Them went all Scooby Doo on moviegoers two years ago, swapping out a Colin Farrell mask for a Johnny Depp, a hundred million Harry Potter fans cried out in agony and disappointment. Whatever his personal failings (many, by tabloid accounts), Depp had long lost his luster as a genre leading man, devolving into one of the highest paid cosplay performers in Hollywood. It’s not that Depp, once considered a talented, if eccentric, performer, can no longer act. It’s that Depp has lost interest in acting ages ago, exchanging goofy accents, over-broad physical acting in exchange for one lucrative paycheck after another. Not that there’s anything wrong with that, of course, but Depp and his steady descent into a caricature of himself mirrors the diminishing returns of Fantastic Beasts and Where to Find Them and Fantastic Beasts: The Crimes of Grindelwald, a prequel/spin-off series set in J.K. Rowling’s Harry Potter cinematic universe. (more…)
What the world didn’t need – and quite possibly, didn’t want – was another adaptation of Dr. Seuss 1957 stone-cold, illustrated classic, “The Grinch Who Stole Christmas.” After all, we already had the perfect expansion of Dr. Seuss’ story more than 50 years ago, a 26-minute TV special directed by Chuck Jones and narrated by horror icon Boris Karloff. But as we’ve learned over and over again, where there’s IP (intellectual property), there’s a major studio eager to bring another adaptation (remake, reboot, reimagining) to the big screen and separate nostalgic parents and grandparents, children and grandchildren, from their bank and debit cards. And with the Illumination Entertainment, the fine people who brought the Minions to vivid, if annoying, life in the Despicable Me series and their own spin-off, a class act like Dr. Seuss and the Grinch seemed like a no-brain, surefire excuse to print (digital) money. Unfortunately, the aggressively mediocre, ultimately forgettable results match the obvious lack of ambition on the part of Illumination’s executive board. (more…)
Birds of Prey has their villain, and he’s become one of the top-tier rogues in Batman’s gallery. Part-mobster, part-supervillain, he’s been featured in comics, cartoons, and video games, but now Black Mask makes his live-action debut as he goes toe-to-toe with the Birds of Prey. Created in 1985, not many may be familiar with Black Mask despite his recent surge in popularity. What makes Black Mask a contender among the likes of The Joker, Penguin, Two-Face, and Riddler? NerdBastard’s gives an overview of who Black Mask is and what to expect from the masked gangster and the A-List actor cast in the Birds of Prey movie.