When we last saw Supergirl/Kara Danvers/Kara Zor-El/Girl of Steel (Melissa Benoist), in Season 2’s penultimate episode, “Resist,” she was on the wrong end of a super punch from none other than Superman/Kal-El (Tyler Hoechlin). Under Rhea’s (Teri Hatcher) control (no) thanks to silver Krpytonite (if you didn’t know silver Kryptonite existed, you’re not alone), Superman doesn’t see Supergirl; he sees his greatest, all-time foe, General Zod (Mark Gibbon). After a mutually semi-destructive pounding aboard Rhea’s flagship, Supergirl and Superman find themselves back in National City, kicking, punching, and throwing each other around a water fountain. Somehow, Supergirl gets the better of her more famous cousin, knocking the noxious effects of silver Kryptonite with one, final super punch. It’s called Supergirl and not Superman, after all. (more…)
I feel like Krusty the Klown having just watching the adventures of “Worker and Parasite”, Eastern Europe’s favourite cat and mouse team. Showtime‘s revival of Twin Peaks was highly anticipated, but it will be interesting to see what people think of the two first new episodes of the series since 1991. In short, depending on how it all turns out, Twin Peaks 2017 will either be the epitome of everything director David Lynch does well, or everything that Peak TV does badly. The tagline for the series is “It’s happening again,” and if by that they mean the weirdness, symbolism and non-sequiturs, then yes, it is happening again. (more…)
Towards the end of last week’s episode of American Gods, Shadow came back where he ran into his presumably deceased ex-wife Laura sitting on his bed. She’s supposed to be dead after giving fellatio to his best friend Robbie and resulting in a car crash killing them both. This week on “Git Gone,” we get to see everything from Laura’s perspective.
Instead of having the usual “Coming to America” or “Departing America” theme we have come to expect from American Gods, we are instead thrust into a high flashback. We see her before she met her beloved, when she was a suicidal casino worker. After clocking out running the blackjack tables, she would spend her nights in her hot top breathing in insect repellent in her hot tub. While the insect repellent might give her some sort of high, it’s also fatal, and she knows it. Every time, she backs out of the death at the last minute, it shows that she’s living a lonely unfulfilled life, and she needs a change. (more…)
When we last left Supergirl/Kara Zor-El/Kara Danvers (Melissa Benoist) and Friends, they were faced with the arrival of a Daxamite invasion fleet, the result of a Stargate-inspired portal created by Lena Luthor (Katie McGrath). The Daxamite queen, Rhea (Teri Hatcher), took full advantage of Lena’s weak point – the lack of a loving maternal figure in her life – to convince an unwitting Lena that the portal she was building with the Luthor family’s money was for the public good (a matter transporter). Before she could do anything about her betrayal, however, Lena found herself aboard the Daxamite mothership, with Rhea at her bedside. Rhea’s plan (or part of it)? Marry off her reluctant son and Supergirl’s boyfriend, Mon-El (Chris Wood) to Lena, uniting (New) Daxam and Earth. Their half-human/half-Daxamite offspring would rule Earth (or something). (more…)
Last week on American Gods, in addition to meeting Mr. Nancy is a scene-stealing moment at the beginning of the episode, we also met a slew new of gods that will be seen in the upcoming episodes. Shadow is being courted by both the Old Gods and the New Gods, as he met Media. Shadow seemed to bit off more than he could chew as he found himself promised to take Czernobog’s hammer to the face as he was on the losing end of a high-stakes game of checkers with the Slavic god of darkness and evil. How would he get out of this mess?
King Arthur is one of about four or five characters from British literature and folklore that have been done so many times, that you can’t really do anything new or insightful with them. So already Guy Ritchie had an uphill battle with his King Arthur: Legend of the Sword, so he decided to do with it what he did with his version of another beloved and frequently used British character, Sherlock Holmes. Ritchie’s Arthur is rock and roll, a Once and Future King with swagger and attitude. Like a King Arthur flick made by high school film students with a $200 million budget. (more…)
The murder mystery of Jason Blossom came to a sudden, unceremonious end last week with the revelation that the murderer was close to home so far as the Blossoms were concerned. Aside from Jughead’s unfortunate pun about the matter being “the ultimate Cliff-hanger” it seems that all’s well that ends well, right? Not so fast. There’s a sense of dread in this season finale of Riverdale. There’s a rift forming through the town, where on one side there are those well off and on the other there is the underclass. But first, we have to get down to what we all came here to see: hardcore nudity. (more…)
At 79, Ridley Scott’s (The Martian, The Counselor, Gladiator, Blade Runner) talents as a visual stylist remain undiminished. For scale, scope, and spectacle, few filmmakers can match Scott’s eye for composition or world building, but give Scott a poor, middling, or underdeveloped script and the result looks a lot like Prometheus five years ago: A promising set-up, a shedload’s worth of ideas, and purposely obtuse, underwhelming execution that left most films of the Alien franchise ready to chuck Scott and his collaborators out of the nearest airlock. But in the “Age of the Franchise,” no studio, let alone Fox, would let a potentially lucrative property like Alien slip into suspended animation. In hindsight, they should have (a) given the franchise a break and maybe even start over (i.e., a full-on Alien reboot) and/or (b) politely asked Scott to serve as a producer in name only and give creative control of the franchise to someone, anyone with fresh, novel ideas.
***MILD SPOILERS BELOW***