Netflix is killing it with comic book adaptations. Their latest endeavor is The Umbrella Academy. Packed with fan-favorite familiar faces, can it capture the feel of the comics? Created by Gerard Way, co-founder of My Chemical Romance and DC Comics’ Young Animal imprint, The Umbrella Academy’s teaser trailer gets fans hyped up for a comic book adventure like none other. If Watchmen had a love child with The Brady Bunch, they would likely name it The Umbrella Academy. Where does the Netflix adaptation differ from the comic and will it change too much of the story? Watch the teaser trailer and get excited to join The Umbrella Academy.
The vast majority of us grew up on Sesame Street. Big Bird, Cookie Monster, The Count, Snuffy, Oscar The Grouch, they helped raise us one half-hour a day at a time. So when we see our childhood heroes do things or say things out of character, it can be a bit jarring. Like dropping the F-bomb during an episode. Grover seemingly did just that, and the internet couldn’t believe their ears. Did our beloved, silly, over-the-top Grover finally lose it? Or are we projecting what we want to hear onto our familiar fictional felt-covered fellows?
The original Hellboy movies hold a strong and passionate fanbase. Ron Perlman cemented himself in fans minds as Hellboy. Admittedly, Perlman is a tough act to follow. But David Harbour (Stranger Things) steps up to give it a shot. The first trailer for the new Hellboy is receiving mixed reviews – some are excited for the continuing of the franchise, while others feel that if it’s not Perlman andb then it’s not worth watching. With heavy hitters like Milla Jovovich, Ian McShane, Daniel Dae Kim and relative newcomer Sasha Lane, the new Hellboy has a lot of potential. But can it get past the initial fan backlash? What are the fans biggest complaints? Check out the trailer and judge for yourself.
If the plot of James Wan’s (The Conjuring series, the Insidious series, Saw) big-screen adaptation of DC’s Aquaman – a reluctant hero born of two worlds, one technologically advanced beyond all (or rather some) imagination, forced to set aside his selfishness, ego, and contempt and embrace his heritage, literally fighting for his birthright in trident-to-trident combat in an arena, followed by loss, redemption, and the rest – sounds more than vaguely familiar, it’s because it should. Though likely unintentional, Aquaman’s credited screenwriters, David Leslie Johnson-McGoldrick and Will Beall (Wan shares a story credit), followed the Black Panther template practically beat for reverse beat, turning a reluctant outsider into a reluctant hero and leader while turning his born-to-be-king brother into a hardcore, ideological warrior eager to bring a world of hurt and pain to those who’ve wronged his underwater-dwelling people (and all marine life too). Basically, it’s superhero template filmmaking, but like Black Panther, it’s the details, it’s what you do within and outside the confines of that template, that dictate whether the result will be genre-elevating commercial or political art like Black Panther or – in the case of Aquaman – purely commercial entertainment. (more…)
It took 11 years, five movies, and the departure of director Michael Bay, but Transformers fans – the fans who grew up on the 1980s animated TV series/Hasbro commercials – finally get the live-action Transformers film, Bumblebee, they’ve always wanted and maybe even needed to help justify their decades-long love of the series. With paired down, grounded visuals, an intimate sense of scale, and an emphasis on the unbreakable bond between a teenaged girl, Charlie (Hailee Steinfeld), and a fugitive soldier-robot, B-127, from a dying, warring planet of self-aware, transforming machines, plus a nostalgia-heavy ‘80s setting, Bumblebee delivers the first, near great entry in a franchise that had all but dissipated the enormous goodwill of longtime fans with Transformers: The Last Knight two years ago. And it all took was a coherent, compelling script by Christina Hodson (Batgirl, Birds of Prey, Unforgettable) and deceptively competent direction from Travis Knight (Kubo and the Two Strings), making his live-action debut after a career in stop-motion animation. (more…)
NASA is known for being bad-asses who fly spaceships and satellites through space, landing rovers on distant planets, and occasionally being funny as hell on the internet. And after fans cry out for NASA to “Save Tony Stark” in the wake of the Avengers: Endgame trailer. NASA took to Twitter, tagging Marvel and Avengers with advice. Robert Downey Jr. replies and suddenly the trolls and bots on Twitter don’t matter. Few places on the internet can you find such wonderful, fun, entertaining interaction between government entities, entertainment companies, and celebrity actors.
Adapted, produced, but not directed by Peter Jackson (The Lord of the Rings trilogy, The Hobbit mega-series) – that honor (assuming it’s an actual honor) goes to longtime Jackson collaborator and visual effects man Christian Rivers – Mortal Engines, a steampunk Mad Max meets Star Wars (all of them) crossed with The Terminator sci-fi tale that unfolds in a wholly absurd, post-apocalyptic future, earns the no longer rare distinction of being both a franchise starter and a franchise ender rolled up into one disappointing package. An overlong, over-loud, derivative revenge-plot occasionally elevated by semi-inventive production design and semi-convincing CG, Mortal Engines was made for the long forgotten and currently non-existent fans of Philip Reeve’s 2001 YA novel, the first in a quartet that obviously piqued Jackson’s desire to find another potentially profitable, spectacle-driven sci-fi or fantasy series. Apparently, though, someone forgot to tell Jackson or his legion of collaborators at WETA digital and elsewhere. (more…)
Fans have been waiting with bated breath for the first trailer for the 4th Avengers movie. Some expected it to drop on Black Friday and were disappointed when there was no sign of the trailer. Now that the trailer is here, people can’t stop talking about it. The trailer brings back people fans missed out on in the last movie in surprising ways and reveals what fans are calling the biggest loss from Infinity War. What could make fans sadder than losing Spider-Man? NerdBastards breaks down the trailer and gives fans not privy to comic book history some clues as to what’s going on the trailer for Avengers: Endgame.