Still feeling the aftershocks of “Turn, Turn, Turn”, we finally meet Coulson’s cellist ex-girlfriend—but not before she’s in imminent danger. Having been let free from captivity during Garrett and Ward’s raid of The Fridge, a powerful villain with deadly powers goes on a war path that puts Phil’s one true love at risk. (more…)
The beauty of being the first guy cast as an iconic comic book character is that you’re always going to be associated with said creature and, thus, probably work for the rest of your life. Such is existence for Lou Ferrigno, the bodybuilder whose work on 82 episodes of the Incredible Hulk television series that aired in the late 70s and early 80s still earns him a booth at numerous fan conventions and cameo appearances in Marvel movies (remember him as the security guard at Banner’s lab in Hulk? You should because it’s great!). The bit parts continues to roll in for Ferrigno, as he’s been cast to reprise his role as the Big Green Meanie’s voice in Joss Whedon’s The Avengers: Age of Ultron. Hopefully this time he gets to say a little more than “puny god”.
There was a time when Doug Liman was an interesting filmmaker, but it seems so long ago that I can barely remember why I enjoyed his early movies. Swingers and Go belonged to the stable of ’90s indie “dramedies” that the decade became so synonymous for. Then came The Bourne Identity, which was slightly better than competent and helped launch the Matt Damon/Robert Ludlum franchise, only to be overshadowed by Paul Greengrass’ superior entires. After that, Liman seemed to run out of gas, churning out vanilla PG-13 action fare like Mr. & Mrs. Smith and Jumper, both of which I know I saw yet couldn’t describe a scene from either to you in order to save my life (there was an elevator in Mr. &. Mrs. Smith? Maybe some cake?). The rest of the aughts found Liman Executive Producing TV shows like Suits and I Just Want My Pants Back, the latter of which sounds like a serialized Nick Nolte biopic.
Now comes Railhead, an adaptation of a yet-to-be-released children’s novel for Warner Bros. which, according to The Hollywood Reporter, is set in “a futuristic world where trains run through space via portals.” I guess that sounds like a Doug Liman joint. Then again, a live-action Care Bears adaptation sounds like a Doug Liman joint at this point.
Every day the internet produces an astounding amount of goodies and gems. Most hilarious, some amusing, but all worth at least a few seconds of your time. We here at Nerd Bastards try to bring you the best bits of news and nerdery the webz has to offer, with a bit of snark thrown in. But sometimes not everything makes the cut. Monday through Friday we’ll be bringing you our inbox leftovers, our forgotten bookmarks, the nerdy bits that simply slipped through the cracks. You can submit items to Nerdy Bits by emailing us at email@example.com
John Layman’s award winning comic Chew is getting the animation treatment by director Jeff Krelitz (Torchwood: Web of Lies, Peter Panzerfaust) and they’ve cast Steven Yeun (The Walking Dead) and Felicia Day (The Guild, Geek & Sundry) as the voices for detective Tony Chu and his girlfriend Amelia Mintz. (more…)
With the pulp horror graphic novel The Rattler, writer Jason McNamara (Short Hand, First Moon) and artist Greg Hinkle tell a story of loss, guilt, madness, desperation, obsession, and violence that is punctuated with surprising turns and graphic and unnerving imagery. The book feels like a Twilight Zone episode that the censors refused to make and in our exclusive interview, we talk to the creators about the personal connection to this story, the long process to finish this story, and the decision to take this completed work to Kickstarter. (more…)
Alex Raymond created the Flash Gordon character 80 years ago, launching a comic strip that ran — in one form or another – for almost 70 years until the early aughts. There were also three films made in the late 30s and early 40s and a handful of live action and animated television projects that have dotted the landscape for the last 60 years, but despite all of that history, I’m hung up on the campy 1980s live action film and so are you, and that’s why we’re likely going to hate the news that the Flash Gordon reboot now has a pair of shiny new writers (literally), bringing J.D. Payne and Patrick McKay aboard to put words in Ming the Merciless’ mouth.
Gordon’s alive? Unfortunately, yes.
The story goes like this: The Hateful Eight, Quentin Tarantino’s latest script, found its way to the open air, leaking out after the director had shared it with a few members of his inner circle. This infuriated the Pulp Fiction helmer, causing him to take his ball (script) and go home. Maybe the western would become a novel, maybe it would someday become a movie again, but for the time being, Tarantino was moving on.
Enter… all of the internet, who reported on the leak and Tarantino’s decision to push the project to the back burner. No harm, no foul. That’s kind of the internet’s jam, but Gawker not only reported on the leak, they reportedly linked to another site that had posted the leaked script and then they closed their article with, “For better or worse, the document is 146 pages of pure Tarantino. Enjoy!”, prompting Tarantino to sue them for “contributory copyright infringement”, a suit that was dismissed yesterday, though it is entirely possible that this is merely a speed bump and not a brick wall in Tarantino’s quest. (more…)