COMICS CAVALCADE: Review – AGE OF ULTRON, Book Two

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So, could the second issue of this massive Marvel movement (see what I did there?) impress me more than the first one did?

You might remember from last week that I was a little bummed that Brian Michael Bendis and company decided to begin Age of Ultron after Ultron had already unleashed his wrath on Earth. We saw superheroes hiding out, desperate, scared, vastly outnumbered by killer robots, but we didn’t see any real conquering on the part of everyone’s favorite evil AI. But you know what? That’s fair. After all, the title suggests that Ultron’s “age” has already begun, so maybe I shouldn’t have expected to see the devastation. My other gripe, though, was with the pacing. It just felt like the whole point of the issue was “look how desperate our heroes are,” which to me isn’t enough material for a full issue. That said, there was still enough about it that intrigued me as I picked up issue two, so Bendis at least succeeded on some level. But what about issue two? Could it improve on the shortcomings I saw last week?

The first page shifts locations from Manhattan to San Francisco, where Black Widow and Moon Knight are living pretty much the same existence that their New York counterparts are: they’re hiding out, they’re scrounging for anything they can find on the streets, they’re wounded, they’re certain they’ll die. But they’re determined to die fighting, which seems to be the big theme of the book so far (not that it’s a bad theme, mind you).

Meanwhile, in the tunnels beneath Central Park, Spider-Man is being interrogated by the other heroes left around (which include the likes of Iron Man, Doctor Strange, She-Hulk, Captain America and Hawkeye, and several others) after his recent rescue. The question is raised: Why were supervillains kidnapping heroes to sell them to Ultron? Why does Ultron need human help? Why does he want someone like Spider-Man?

It’s there that Age of Ultron stopped being a scenario and really became a story for me. Bendis has a way of doing that, particularly in his event books: he raises a single question that will ring through the whole series, and it sticks with you as a reader whether you like it or not. These questions have varying degrees of effectiveness (just look back over the nearly a decade’s worth of event books he’s written for proof), but in a universe where so many things (arguably all things ) are possible, it’s definitely a valid way to kick things off. Sometimes it’s a “what if?” question (like, for instance, Secret Invasion), and sometimes it’s a “why?” question, which is where Age of Ultron seems to be headed. We know Ultron hates humanity. We know he wants humanity gone, and we know he’s doing a pretty efficient job of achieving that this time. So why the bargaining with other supervillains?

There are a few easy guesses that could answer this question, but the point is we have a catalyst now. We have something that propels our heroes. We have movement. I acknowledged in the last review that Bendis’s unique sense of pace doesn’t always jive with me, and that’s one of the reasons why I felt the first issue was weak. The second issue takes a bit too long to get to this hinge point for my taste, but I like a speedy pace with big event books. You might totally dig the pace here. The point is, we’re moving now, and that’s what pleased me most about this issue.

So, now we’ve got a question that will move our heroes forward, and we’ve got a better sense of how Ultron is operating. That should meant that next week we’ll see a more brisk pace, a more action-heavy piece of storytelling, and a bit of the actual event that will define this “event comic.” I’m still not in love with what I’m reading, but I’m much more intrigued than I was last week (plus I already agreed to write reviews on all 10 issues of this thing, so I’m reading issue 3 whether I like it or not at this point).

COMICS CAVALCADE: Review – AGE OF ULTRON Book One

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Well, here we are again, boys and girls. It’s Marvel event book time, and this time we get the return of Ultron. So, is Age of Ultron worth your time?

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‘Oh My Giddy Aunt!’: A Thoroughly Detailed Look at IDW’s ‘Doctor Who: Prisoners of Time’ #2

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Patrick Troughton takes center stage in the second issue of Doctor Who: Prisoners of Time, freshly on the stands this week. Can this installment improve upon the first? Well, it wouldn’t be difficult…

 

Warning, here be spoilers. And Voord.

 

We’re treated this month to the art of Lee Sullivan, one of the long term artists for Doctor Who Magazine. This is a vast improvement upon last month. The likenesses are spot on and the original characters are vivid and imaginative. Very impressive, given the sheer number of background characters in this issue.

 

The story itself is a trifle. We don’t learn anything more about the mysterious hooded man in the first issue. Last month, I said I was reminded of The Five Doctors. This month, I fear we’re in for Ground Zero, a story arc undertaken by Doctor Who Magazine in the 90s, where various companions were taken at the end of each story leading to an anticlimactic and canonical nightmare of a finale.

 

I’m still not certain what this series is trying to do. It’s as if the Tiptons have gone on Wikipedia and glanced at each era of Doctor Who to see what it’s about. Yet there are dedicated in jokes that only the most obsessive fans would catch *cough*. The details are right, but the broad strokes are wrong. While these touches to the past are amusing, I want to learn what the bigger picture is. There had better be forward motion next month.

 

PAGE 1

Panel 1-These are three of the major TARDIS props used over the course of the series. From left to right: the current TARDIS (The Eleventh Hour onwards), the original (An Unearthly Child to The Seeds of Doom), and the bright blue 80s version (The Leisure Hive to Survival).

 

PAGE 2

Panel 1-”Look at the size of that one” was a reoccurring joke between Frasier Hines and Patrick Troughton, with them managing to work it into several scripts.

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PAGE 6

Panel 1-The Babel Fish Emporium is a clear reference to former script editor Douglas AdamsHitchhikers Guide to the Galaxy. Yarvelling and Zolfian were, respectively, the creator and War Minister of the Daleks in the TV Century Dalek strips of the 1960s. Here, the Daleks were blue humanoids before radiation caused them to enter their metal casings. The Noble Arts is a tip of the hat to tenth Doctor companion Donna Noble. Cogley’s Books may be a reference to the Deep Space Nine episode Far Beyond the Stars, which mentioned a writer by the name of Samuel T. Cogley. Creatures spotted in the crowd include Slitheen or other Raxacoricofallapatorians (Aliens of London), a Voord (The Keys of Marinus) and a Sontaran (The Time Warrior).

 

Panel 4-Fezzes are cool.

 

PAGE 4

Panel 1-Magister was an alias of the Master used in The Daemons. The Hath appeared The Doctor’s Daughter. The Space Pig, even though he wasn’t really from space, appeared in Aliens of London.

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Jubilee Pizzas first appeared in Dalek. The pizza box prop found its way onto the Torchwood set and was a mainstay during that series. The name itself comes from the Big Finish audio play Jubilee, also written by Rob Shearman and containing several of the same character beats.

 

Panel 4-The original Las Cadenas was a restaurant owned by Oscar Bocherby in Saville, Spain. (The Two Doctors)

 

PAGE 5

Panel 2- Every time the Voraxx are named, it appears to be in the same font as was used in the aforementioned Dalek strips.

 

PAGE 7

 

Panel 3-The woman looks an awful lot like Dr. Girlfriend from The Venture Bros.

 

PAGE 8

Panel 1-Belnap VII may be a reference to Nuel Belnap, a philosopher dealing in temporal logic.

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PAGE 9

Panel 2-The penny farthing with the peculiar awning was part of the closing titles sequence of the cult 60s drama The Prisoner. Penny farthings were a key symbol in the show and represented to creator Patrick McGoohan of progress.

 

PAGE 11

Panel 6-The T-Mat was a teleportation system used on Earth during the mid-21st century. The Ice Warriors used it as a beach head during an attempted invasion of Earth. (The Seeds of Death)

 

PAGE 13

Panel 1-The robots in the corner are colloquially known as White Robots. They attacked Jamie and Zoe while they were trapped in a void that lead to the Land of Fiction. (The Mind Robber) It is thought that they were manifestations of the companions’ fear of the Cybermen and in the audio Legend of the Cybermen, they are servants of the Cyber invasion force. This is their first appearance in the “real world”. The costumes of the original White Robots were recycled from an episode of the BBC series Out of the Unknown. Quatloos are the currency of the Gamesters of Triskelion in the Star Trek episode of the same name. Cubits are used in Battlestar Galactica. The Alterian Dollar is from Hitchhikers Guide to the Galaxy, though it has recently collapsed.

 

PAGE 17

Panel 4- Jamie and the Doctor first ran into the Martians on Earth during the middle of a future ice age (The Ice Warriors). They, this time with Zoe in tow, came in to conflict with them again during the T-Mat crisis (The Seeds of Death). As the Doctor points out, it was the humans in the future that named them Ice Warriors, though the Martians themselves have used it in various times and places since.

 

PAGE 21

Panel 1-There appears to be a Draconian in the right corner (Frontier in Space).

 

Panel 3-The green blobby thing with a single eye is an Alpha Centauri, a race of hermaphroditic hexapods (The Monster of Peladon).

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Panel 4-The weird black teletubby is another Voord. According to the Grant Morrison comic The World Shapers, the Voord are the ancestors of the Cybermen. Perhaps coincidentally, the comic features an older Jamie after his travels with the Doctor.

What’s Mangold Doing to ‘The Wolverine’ Trailer Now?

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Wolverine fans everywhere have been eager to get a glimpse into James Mangold‘s take on their favorite Marvel Mutant. They’ve carefully perused The  Wolverine production stills of Hugh Jackman, listened to snippets of interviews, and patiently waited for the first trailer. Wolverine fan boys and girls were understandably excited when word went out that the first trailer for The Wolverine would be attached to the opening of the latest Die Hard movie, A Good Day To Die Hard.

Earlier today, Mangold took the the Twitterverse to burst that bubble.

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The tweets above were in response to fan questions and responses to Mangold’s tweets which culminated with the tweet below.

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ComingSoon.net/SuperHeroHype is reporting that the teaser is now targeting a debut with the March 29 release G.I. Joe: Retaliation.

One more month should be no big deal for die-hard fans that have been waiting to see Wolverine in action against Japanese ninjas and samurais. That post credits scene in X-Men Origins: Wolverine where Logan drinking at a bar in Japan wet everyone’s appetite and we can stand to wait a few weeks more.

Just keep looking at that picture of Hugh Jackman oiled and ripped, you’ll be fine till then.

Source: Comingsoon

Graphic Novel ‘The Sword’ Getting Feature Film Adaptation

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The Sword by the Luna Brothers is one of the best graphic novels you’ve probably never read. It’s one of those titles tucked behind all the mainstream stuff.

The plot of The Sword follows Dara Brighton, a young paraplegic whose family is brutally murdered by a mysterious trio (gods). Dara escapes and discovers a magical sword that allows her to walk again and grants her physical powers. From there, things get intense, and super violent. Picture Kill Bill but on a supernatural scale.

 I read a lot of graphic novels, books, and comics, and this ranks up there among my favorites. I was surprised by how quickly I grew to like the simple, yet expressive artwork and the book’s thoughtful and realistic characters. Oh, and the unapologetic violence and top-notch action may have sucked me in as well.
I can’t stress enough what a MUST read The Sword is, but, if you’re not here to read, there’s always the movie….
Lakeshore Entertainment has picked up the rights to The Sword; with Tom Rosenberg and Gary Lucchesi  producing the fantasy revenge story.
Lakeshore is also responsible for bringing us the Underworld franchise, and they are also developing an adaptation of the comic book, I, Frankenstein.
I’m not too thrilled with the production company (Underworld movies were hack & slash cheesefests), but this is a graphic novel that would actually make a good movie. I’m thrilled it’s being adapted.
Source: THR

IDW Wants to Believe! ‘X-Files’ Comic Slated for June Start

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Mulder and Scully are back in action this June thanks to IDW Publishing.

There was an X-Files fueled squeal heard ‘round the Internet this morning as IDW announced their plans to bring Mulder and Scully back to action this summer. The San Diego-based publisher will reprint key collections from The X-Files comics from Topps and Wildstorm, covering a comics history that spanned from 1995 to 2006.

In addition, IDW will launch a new ongoing series, catching up with the paranormal investigators after the events of 2008’s movie, I Want To Believe.

No word on a creative team for the series (though comic writer Brian Wood took to twitter to say that he had been approached, but couldn’t fit it in), or if this comic continuation will follow Dark Horse’s Buffy comic blueprint (which is written almost exclusively by former show writers), but X-Files executive producer Frank Spotnitz mentioned being “in touch with the editor at IDW.”

The possibility of new Spotnitz X-Files stories is almost too amazing to comprehend and speaks volumes to not only Spotnitz’s influence as a writer, but to the popularity of the franchise as a whole.

Given past successes with 20th Century Fox-owned properties, IDW should do Mulder and Scully – and their rabid fans – justice. X-Philes have followed these characters through 9 seasons, 202 episodes and two movies. Even now, coming up on the 20th anniversary of the pilot episode, X-Philes want more – and, thanks to IDW, they will finally get it.

Source: IDW

‘X-Men: Days of Future Past’ to Include an Iceman, a Rogue and a Shadowcat

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It looks like everything we want to hear on the upcoming X-Men: Days of Future Past is going to be coming straight from Bryan Singer – or at least his Twitter page.

After revealing that Wolverine mainstay Hugh Jackman would return for yet another franchise film, the director has once again taken to the social media outlet to announce the return of Xavier School alumni Anna Paquin, Ellen Page and Shawn Ashmore. This could be a future indication of what we’re going to see in Days of Future Past as Page’s role as Kitty Pryde is essential to the overall storyline and the beginning of what many Marvel fans will know from the comic’s storyline.

Hit the jump for more.
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French Figures Hint at ‘Man of Steel’ Zod Costume

While we still have yet to see Michael Shannon in his Zod costume in any stills from Man Of Steel itself, this week we got a sneak peek of what the updated General will most likely look like from Mattel France. The toy company gave the world a glimpse of the line of Superman toys it plans on releasing this year–including tie-ins to Christopher Nolan and Zack Snyder’s highly anticipated reboot flick…..Et voila!

As we can see, it seems this iteration of the Superman villain has his very own Kryptonian crest. Otherwise, it seems to be nothing more than a form-fitting black bodysuit–simpler and more utilitarian that the gauzy, open-chested garb Zod and his cohorts sported in Superman II.

Mattel France also revealed photos of these miniatures–the Zod figure appears to be clad in some sort of Kryptonian armor, but whether a similar garment will appear in Man Of Steel is anyone’s guess:

Interview: Mike Norton on ‘The Answer’, ‘Revival’, and ‘Battlepug’

In 2012, All-Star Marvel and DC artist Mike Norton further moved toward creator owned projects, continuining his Eisner Award winning Battlepug saga online (and in collected editions through Dark Horse) while also co-creating Image Comics’ rural noir zombie book Revival and Dark Horse Comics’ brand new costumed hero book, The Answer, which debuts today.

Here, Norton tells us about how he picks his projects, why he doesn’t hide from superhero tropes, how Revival isn’t your typical zombie book, battling zombie fatigue, and if he’d like to see Battlepug live on as a cartoon series.

Along the way, we also discuss the challenges of telling a slow burn story, the appeal of The Answer‘s female lead, and how a costumed hero fits in at Dark Horse.

All that and more with Mike Norton after the jump.  (more…)

Last Night’s ‘Iron Man 3′ Production Footage and IMAX Release Announcement

The flag of Comic-Book-Movie-Market-Domination (CBMMD) that Marvel has planted over the last few years (Right through the heart of everything DC except Batman) has put then in a position where they can pretty much do as they please and nobody’s going to say a word. Unless that involves re-shoots, then moviegoer fan boys and girls tend to trot out a litany of complaints for Shane Black and the Iron Man 3 production. Thankfully, it’s usually all for the better.

Last night in Hollywood the studio filmed a small series of re-shoots for Iron Man 3 at the TLC Chinese Theater, with plans on

-Possible Spoilers-

This is the point where you stop if you have any intention of complaining about spoilers, do not click the jump, do not collect $200.

If you don’t give a frack . . . carry on.

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