This week on the Bastardcast anti-gravity Anne joins the boys as they deal with a deansapointing porno, Keanu Reeves turning Japanese, eBay ruining slave doll profiteering, Robin Williams ruins twitter, and Maxim tells us that women prefer serial killers to toy collectors.
Also on the show: why the man who brought us Felicity may not screw up Star Wars, why Jenny Olsen is an upgrade over Jeremy Olsen, and why Adam Sandler might just “Zohan” Guardians of the Galaxy.
All that and a plethora of shitty impressions by the fat one. Wanna be our friend on twitter? It really isn’t that hard and we aren’t all that selective. Just follow us @RadioBastard and bask in the glow of intermittent genius.
The Bastardcast: An emporium of fancy dick jokes and other sparkling repartee.
The Oscar nominations were announced this morning in Hollywood by future Oscar host Seth McFarlane and sidekick Emma Stone, and surprise, surprise, there wasn’t much love for nerdy movies outside the technical categories.
One nerd came out very well though. Steven Spielberg‘s Lincoln got the most nominations with an even dozen, including Best Picture, Director, Screenplay and Actor for Daniel Day-Lewis. Following closely behind Lincoln is Ang Lee‘s Life of Pi with 11 nominations, among them Best Picture, Director, Screenplay and several technical award nominations.
For the more nerdy minded fair, two movies tied for the most nominations. The more prestigious was Quentin Tarantino‘s Django Unchained, which scored five nominations for Best Picture, Screenplay, Cinematography, Sound Editing and Best Supporting Actor for Christoph Waltz, who won the award in the same category for Inglourious Basterds three years ago. The latest James Bond film Skyfall was also nominated for five Oscars including Best Cinematography, Score, Sound Editing, Sound Mixing and Best Song for Adele‘s theme song.
The once mighty Oscar force of Middle Earth and Peter Jackson proved not to so powerful in the case of The Hobbit. The Hobbit: An Unexpected Journey, which received only three nominations for Best Make-Up, Best Art Direction and Best Visual Effects, a far cry from the 11 awards that the final chapter of The Lord of the Rings, The Return of the King, won in 2004. Snow White and the Huntsman won two nominations, one for Best Costume Design and one for Best Visual Effects.
As for the biggest film of the year, box office-wise speaking, The Avengers, Marvel’s heroes received only one, singular nomination for Best Visual Effects, an award it also shares with Prometheus, which is that film’s sole nomination. And to all Dark Knight Rises haters, you’ll be pleased to know that Christopher Nolan’s final Batman received none.
In the animation categories, Brave, Frankenweenie, ParaNorman, The Pirates! Band of Misfits, and Wreck-It Ralph were nominated for Best Feature, while Adam and Dog, Fresh Guacamole, Head over Heels, Maggie Simpson in “The Longest Daycare”, and Paperman were nominated for Best Short. So, for the record, in about a month its possible that The Simpsons might have an Oscar to their credit. (Possible, not likely. But I guess we’ll see.)
The Oscars will air on ABC on Sunday February 24, 2013.
I’m not going to burn off 80 words on flowery bullshit that takes both sides of this issue into consideration before I finally err on the side of objectivity. I’d rather try an alternative approach: This shit is stupid.
Django Unchained is not going to ever air on the Hallmark Channel. It isn’t a movie that was made to be adored by everyone, and that’s why I would allow Quentin Tarantino to take me in a thrusty, masculine, and yet gentle way should his tastes suddenly take a left turn toward big-titted fanboys. Fuck appeasing the masses (and didn’t I just demonstrate my own antipathy for that?). Foot fetishists and bad ass motherfuckers. That’s who QT works for, and though there is a shocking lack of primo tootsies in Django, there is a fuck-ton (a slang term for a ton of fuck, meaning a whole lotta shit) of controversy thanks to the films slave-y subject matter, violence, and the use of the word that the “N-word” implies. (more…)
It’s an unfortunate side effect of a violent society to blame popular media for the crimes of the mentally unstable. With the release of Django Unchained, a gory spaghetti western, director Quentin Tarantino was recently questioned about his love of violence during an interview on NPR. While the interview wasn’t a total bust, when Terry Gross brings up Sandy Hook, Tarantino becomes incredibly agitated, but it seems her poor choice of words understandably triggered his response.
GROSS: So I just have to ask you, is it any less fun after like the massacre at Sandy Hook Elementary, like, do you ever go through a period where you lose your taste for movie violence? And movie violence is not real violence, I understand the difference. But still, are there times when it just is not a fun movie experience for you – either to be making it that way or to be in the audience for something like that?
TARANTINO: Not for me.
GROSS: So it’s so completely separate, that the reality of violence doesn’t affect at all your feelings about making or viewing very violent or sadistic…
TARANTINO: Sadistic? I don’t know. I do know what, I don’t know. I think, you know, you’re putting a judgment on it.
GROSS: No, no, no…
TARANTINO: You’re putting a judgment on it.
GROSS: The characters are sadistic. The characters are sadistic. I’m not talking about, you know, the filmmaker. I’m talking about the characters. I mean, the characters are undeniably sadistic.
TARANTINO: Mm-hmm. When you say after the tragedy, what do you mean by that exactly?
GROSS: Well, like…
TARANTINO: Do you mean like on that day would I watch “The Wild Bunch?” Maybe not on that day.
GROSS: Or in the next few days, like while it’s still – while it’s still really fresh in your – while the reality – yeah.
TARANTINO: Would I watch a kung fu movie three days after the Sandy Hook massacre? Would I watch a kung fu movie? Maybe, ’cause they have nothing to do with each other.
GROSS: You sound annoyed that I’m…
TARANTINO: Yeah, I am.
GROSS: I know you’ve been asked this a lot.
TARANTINO: Yeah, I’m really annoyed. I think it’s disrespectful. I think it’s disrespectful to their memory, actually.
GROSS: With whose memory?
TARANTINO: The memory of the people who died to talk about movies. I think it’s totally disrespectful to their memory. Obviously, the issue is gun control and mental health.
Django has received a lot of unfair criticism seeing as there is no way the deranged asshole involved in Sandy Hook could have seen it. Where do you stand on the debate that movies cause violence? Sound off in the comments.
Sources: CinemaBlend, Movieline
I’m not going to say or type that word. I have my reasons, namely that it isn’t an active part of my vocabulary and I recognize the legitimate causticity of it, but with that said, I firmly believe that a word’s power comes from the intent behind it’s use. Sadly though, others do not agree, and so we have a supposedly “politically correct” replacement phrase like “N-word”.
Why am I writing about “the N-word” on a movie site called Nerdbastards? Well, a few weeks ago, actor Samuel L. Jackson was being interviewed by a Houston based TV reporter named Jake “The Movie Guy” Hamilton and the term figured prominently.
The video can be seen here, but at around the 13:55 mark, Hamilton asks Jackson about the “N-word” controversy in his new film, Django Unchained. In the film, which focuses on slavery, the word that the “N-word” refers to is uttered more than 110 times according to various reports. (more…)
We like to think that it’s a nerds’ world at the movies, and certainly there’s been a lot of press in the last few years to back that up, but in 2012 it seemed especially true.
Developing a Top 10 List of the best of the nerdiest films this year was no easy feat, even with high-profile disappointments like Prometheus, John Carter, and The Amazing Spider-Man, but we were still able to do it. Some of these titles maybe obvious, but they all have one thing in common, they prove that in the genres of sci-fi, horror, fantasy and action, the year 2012 was far from the end of the world. Cinematically speaking, at least.
Here’s the Top 10 Nerdy Films of 2012. (more…)
We survived! The genuine, accept no substitutes BastardCast crushed the Christmapocalypse and this week we’re back to talk about an Amazing Spider-Man, an Astonishing Stan Lee, and a Re-Employed Gail Simone. Following that, the boys continue their shameless public felating of Kevin Smith (He isn’t hiring any more “friends” Jeremy!), discuss the Django Unchained linguistic hullabaloo, the chances of building an actual Enterprise, asteroids, and pirates and the films that they love.
After that, Jeremy and Jason welcome back Anne Sisk and Steven Sautter to discuss the great war between digital comics and paper comics and the future of the comic industry and then we introduce the HALL OF EXCELLENCE and induct a man who ate everything on the Hobbit menu at Dennys… may he rest in peace.
All that and MOAR (Which is not a word!) on The Bastardcast!
The Bastardcast, people actually listen to this shit.
Currently enjoying critical spoils and many award nominations for his new film Django Unchained, Quentin Tarantino is now, of course, talking about his next effort. So where will Tarantino take us next? That Vega Brothers movie he’s mentioned before, or a Prohibition-era gangster flick? How about a trip back to World War II?
In typical Tarantino fashion, the filmmaker revealed in an interview with The Root that when he was penning his last film, Inglourious Basterds, he envisioned a side story featuring an equally demented squad American soldiers, an all-black squad who go AWOL and cut a bloody swath across France as they try to make it to Switzerland. The name of the film? Killer Crow. Here’s what Tarantino had to say:
“…My original idea for Inglourious Basterds way back when was that this [would be] a huge story that included the [smaller] story that you saw in the film, but also followed a bunch of black troops, and they had been f–ked over by the American military and kind of go apes–t. They basically — the way Lt. Aldo Raines (Brad Pitt) and the Basterds are having an “Apache resistance” — [the] black troops go on an Apache warpath and kill a bunch of white soldiers and white officers on a military base and are just making a warpath to Switzerland.
So that was always going to be part of it. And I was going to do it as a miniseries, and that was going to be one of the big storylines. When I decided to try to turn it into a movie, that was a section I had to take out to help tame my material. I have most of that written. It’s ready to go; I just have to write the second half of it…That would be the third of the trilogy. It would be [connected to] Inglourious Basterds, too, because Inglourious Basterds are in it, but it is about the soldiers. It would be called Killer Crow or something like that.”
Sounds like quite the Tarantino-esque project, but I think it would be nice if he’d move in a direction that has nothing to do with revenge or a period piece. Of course, I’ll be lining up to see it if it comes out though.
What do you think, Bastards? Killer Crow: yay or nay?
Every day the internet produces an astounding amount of goodies and gems. Most hilarious, some amusing, but all worth at least a few seconds of your time. We here at Nerd Bastards try to bring you the best bits of news and nerdery the webz has to offer, with a bit of snark thrown in. But sometimes not everything makes the cut. Monday through Friday we’ll be bringing you our inbox leftovers, our forgotten bookmarks, the nerdy bits that simply slipped through the cracks. You can submit items to Nerdy Bits by emailing us at firstname.lastname@example.org.
ABOVE: A Christmas Story in a galaxy far, far away… Gordon Tapley created this fantastic Star Wars twist on the lamp from A Christmas Story. [ObviousWinner]
Yet another year is coming to a close. This means we’ve got yet another Top [insert number here] list of [insert year here]. In this case, it’s the American Film Institute‘s awards for the top 10 motion pictures and the top 10 television programs of 2012.
The list includes many of the expected film titles like The Dark Knight Rises and Les Miserables. Same goes for the TV series; we’ve got Breaking Bad, Game of Thrones, Mad Men, Modern Family and The Walking Dead to drop some big names. Fun fact for y’all: Mad Men is now the most recognized AFI Awards TV honoree in history after 5 straight years on that list. I guess everybody loves themselves some Hamm, eh? Eh?
Anyway. Jump the chasm for the full list! (more…)