Tonight is the preview night of San Diego Comic-Con, and while things are getting rowdy (and nerdy) out in California, something is rumbling from across the Pacific. I’m talking about Godzilla: Resurgence, of course, the newest film from Studio Toho, the original creators of Godzilla and the franchise. When the first trailer hit back in April, fans got their first looks at the decidedly more grotesque version of our scaly friend, with melodramatic visuals and operatic music that set the tone for a more dark and serious production. Now, the second trailer is continuing that trend. (more…)
There has been a kaiju movie boom over the last few years with more on the horizon. We unfortunately will have to wait a little longer for some of those giant monsters to hit the big screen it seems. Legendary and Warner Bros. have been working slowly on their own little mini-Toho universe starting with the 2014 reboot of Godzilla. A sequel has been in the works and was originally slated for summer 2018. News today has a shift in that date, but also a set release date for the followup Godzilla Vs. Kong. (more…)
It’s a formula as old as time; ginormous monster, huge city, mass hysteria and destruction. And there is no better catalyst for this story than Godzilla also known as the “King of the Monsters.” This summer Godzilla will return to the big screen in Godzilla Resurgence and the new trailer gives us a glimpse of the potential annihilation of Japan. (more…)
The King of Monsters is coming back and he’s badder than ever. After a decade of absence in Japanese cinema (following the epic kaiju all-star brawl that was 2004’s Godzilla Final Wars), Toho Ltd. announced that they have just concluded shooting a brand new Godzilla movie.
For the (hopefully few) uninitiated, Godzilla first made his appearance in 1954, taking the world by storm. Under the direction of Ishirō Honda, the nuclear titan rampaged through the streets of Tokyo in all his invincible glory, before finally being destroyed by an experimental WMD called the ‘Oxygen Destroyer’. Thus began his glorious, 6-decades long career as a staple in nerd culture and his successive reincarnations as a savior of the earth, a scaly hippie, an awkward dad and then back into a force for destruction.
After a bad deal that forced Godzilla into the role of a hermaphroditic lizard killed by F-16 missile fire, the King Of Monsters finally had his break in the States with Gareth Edwards’ runaway 2014 hit. While we won’t get to see another American-made sequel to the franchise until at least 2018, we get to enjoy what seems to be like a very promising Japanese reboot.
It’s almost like we never abandoned you for two months.
Jeremy and Jason have returned, but where were they and who have they become?! Learn about their harrowing tale (busy working and playing Playstation) and also learn about their thoughts on Stephen Colbert‘s late night takeover, Arnold Schwarzenegger‘s takeover of The Apprentice, Batman V. Bourne, Godzilla V. King Kong, the almost Pulp Fiction cast, the unkillable Fantastic Four franchise, gritty Mary Poppins, sex bot ethics (RIP HitchBot), plus Donald Trump: herald of the end times.
DOUBLE BONUS PLUS: an all new, all nude edition of #TacoTalk. (more…)
Before American audiences were taught the word “kaiju” (or, daikaiju, for that matter), they had already fallen in love with King Kong. The 1933 film became an instant classic, thanks to its (at the time) cutting edge special effects, a strange but somehow relatable creature, and the actress who stole the heart of the beast, Fay Wray. One of the most memorable scenes of the film, as well as its 2005 remake, is a battle between Kong and a Tyrannosaurus on the long hidden Skull Island. Over 20 years later, in 1954, audiences would fall in love with another reptilian giant, Godzilla. After witnessing the spectacle of Kong vs. dinosaur years before, monster movie fanatics were chomping at the bit to see the giant ape take on this new threat and in 1962, it finally happened. Now, over 50 years later, the big screen behemoths will be sharing some screen time again, for the rematch of the century. (more…)
2014’s Godzilla reboot was a fantastic film. Yes, it spent a little too much time on set up, but the nuclear lizard-fueled beat downs that followed were more than worth the wait. It also killed it at the box office, so its sequel felt like a total inevitability by the time the dust settled. Legendary Pictures wisely chose to bring back the creative team behind it for the sequel and its writer, Max Borenstein, has gone on record with a tantalizing teaser for the upcoming film, and we’ve got that juicy little quote here for you to wet your appetite. (more…)
The Elevator Pitch is the art of summing up your movie idea in a line or phrase that can instantly give the listener an impression about the theme or genre of a project. For example, “Die Hard on a bus.” That’s Speed in a nutshell. Or Wagon Train to the Stars, which is how Gene Roddenberry pitched Star Trek to NBC in the 1960s. So what kind of movie does the pitch “Godzilla Meets Lost In Translation” conjure? How about “Transformers versus Adaptation“? Well that’s how the new movie Colossal is being described, and now Anne Hathaway, who’s no stranger to high-concept projects, has been cast to star in the film. (more…)
Every time America tries to co-opt Godzilla for our its own franchise pantheon, Japan always steps up and says, “Not so fast!” Understandable, as Godzilla maybe Japan’s biggest cultural export – literally and figuratively – but with the success of last year’s latest attempt to Americanize Tokyo’s favorite perennial tourist, the originator of the King of the Monsters, Toho Studios, is planning for a Godzilla comeback on the other side of the Pacific Rim. That news was announced earlier this year, but to back that up, Toho has now announced that the new film will have not just one, but two directors! And on top of that, we now have a vaguely evocative image to tease fans the world over. (more…)
Godzilla may be a lusted after box office commodity in America, but in Japan he’s a cinematic legend on par with Humphrey Bogart or Charlie Chaplin. It was Japan’s Toho Studios that got the Godzilla ball rolling in 1954, turning what could have been a silly monster movie starring a guy in a suit trampling on cardboard buildings into a frightening parable for Japan’s suffering from nuclear warfare nearly a decade earlier. The metaphor wasn’t lost on anyone, and the Ishirō Honda creation developed a worldwide following that spawned dozens of sequels over the last six decades and at least two American remakes. But after a decade in retirement, the Japanese are looking to put their stamp on the legend once more. In other words, Toho’s back in the Godzilla business. (more…)