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Kevin Alejandro

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Starling City is in utter anarchy. The city is swimming in chaos as Mirakuru-enhanced madmen flood the streets destroying and murdering just about everything in their path. Circumstances are dire, and typically such an over-the-top premise of the city collapsing around our heroes is an all too often overused season finale device. Hell! Arrowused the same premise last season! But in Season 2 they’ve earned it, properly setting up and selling this city under siege. (more…)

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And it’s here, about half way through its second season, that Arrow begins to show the wear of a 22 episode order. A full season order of over 20 episodes has been the norm on television for years, but recently cable TV has garnered plenty of success with fast-paced, tightly scripted, 10-12 episode seasons. Should we see more programs adapt to these shorter seasons? I’d sure like to, as it would cut out so much of what’s been plaguing Arrow from the very beginning–extraneous drama. (more…)

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Arrow‘s second season ended its first half on a real high note. Oliver (Stephen Amell) is firmly cemented in his role as Starling City’s hero, Roy (Colton Haynes) survived his injection of Miracle (aw shucks), Barry (Grant Gustin) was successfully electrocuted and is on his way to becoming The Flash, and Slade Wilson (Manu Bennet) was revealed as the man funding Blood’s (Kevin Alejandro) slow take over of the city. Basically, the mid-season finale was fantastic. Can the second half keep up that momentum? (more…)

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Before Arrow went on a one week, holiday hiatus it left off with a rather lackluster episode that saw Moira (Susanna Thompson) acquitted and bid farewell to Count Vertigo (a character I’m all too happy to see bite the dust). Thankfully, this week executive producers Greg Berlanti and Andrew Kreisberg, along with writer and DC Comics Chief Creative Officer, Geoff Johns, swoop in to set up a two part, mid-season finale that will excite fans of the show and absolutely thrill DC mega-nerds. (more…)

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Never one to be subtle, this week’s Arrow dealt with – surprise! – identity. True identities, false identities, secret identities, yearned for identities; it was all stuffed in there. Now that Oliver (Stephen Amell) has decided to again become the vigilante he must constantly be choosing which role to play: crime fighter or C.E.O? Laurel (Katie Cassidy) holds true to who she wants to be, the woman who captures the vigilante. And Roy (Colton Haynes) is finally given an identity and perhaps the potential to stop being so fucking annoying.  (more…)

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