Yesterday was the CW‘s day at the Television Critics Association summer press tour, which meant lots and lots of news about all the various shows based on DC Comics characters, what’s sometimes known as the “Arrowverse.” Some of that news, we’ve covered already, but there’s some important casting news that we haven’t reported yet pertaining to two of the CW’s four DCTV shows: Arrow and Legends of Tomorrow. It’s major because in the case of the latter it’s about a member of the Justice Society of America; as for the former it pertains to a Russian villain, and there’s only one name you should get for a Russian villain. (more…)
I’m going to be brutally honest, friends: There’s no quote at the beginning of this article because nothing really stuck in my head. So rather than read other sites’ reviews and steal whatever THEY used, I’ll just proceed with the review proper…
After the ecstasy that was Episode 8: “Fromage”, I knew the follow up would be at least a slight let-down. “Trou Normand” isn’t the best episode of the season, but I give it credit: Given the sloppiness of the storytelling here, it could have been significantly worse.
An iconic character actor with a flush resume, Lance Henriksen could book work on reputation and his gravelish voice alone, but for the last year and a half, the actor has somehow found a way to continue his hectic career in TV, film, and video games (like Mass Effect 3 and SEGA’s Aliens: Colonial Marines) while also pouring his passions into a new project that he first imagined two decades ago.
That project, To Hell You Ride, is a 5 part comic series from Dark Horse Comics that debuts today (12/12/12). Last week I had the opportunity to talk to Mr. Henriksen about ‘Hell’, how it came to be, and both the chances of a Millennium comic and an update on the potential movie.
What pulled you toward telling this story as a comic? Was it always meant to be a comic or did it start as something else?
Lance Henriksen: It started as a movie that I wrote twenty years ago and the script was lost. I got divorced at one point and the script got thrown away with a lot of the other stuff. You know how that goes… but anyway, when it came up with Mike Richardson down at Comic-Con, he just asked me “would I like to do a comic?” and because [Tom] Mandrake and Sienkiewicz and Eric Powell and all these guys had done drawings for me for my biography, I was aware of comics and I love these guys and I thought “Why not?”
I met Tom Mandrake at one of those conventions and I really liked the guy and he had done a drawing, a pumpkin head, for my biography and it was a great drawing. Then Joe Maddrey and I wrote the book together and worked together before and we all joined forces and Dark Horse agreed that we could work the way that we wanted to, which was staying in real great communication. It wasn’t just us turning in a script and Tom Mandrake drawing it.
What happened was, we decided that we wanted to talk all the time and write from the pencils all the way through to the finished product and we’ve been working on it for a year and a half. We have five issues coming out and three of them are done and we’ve got two more [to do] and by the time the third one comes out and onto the market, the other ones will be finished.
It’s a phenomenal adventure for me, man, because normally films are my thing and the restraint and the drama that has to be so specific in a comic — it’s been a great thing to learn and understand. These guys are talented, Mandrake does such dramatic work, it’s beautiful and it fits perfect with what our mythology is in our story.
MORE AFTER THE JUMP