It’s been over four years since Lost ended its six season run on ABC, but as evidenced when Breaking Bad ended last year that there was still a lot of hurt feelings, and downright rage, about how showrunners Damon Lindelof and Carlton Cuse decided to wrap things up. Heck, it’s a good thing that How I Met Your Mother ended the way it did because it took some of the heat off Lindelof and Cuse. But just because there’s bad blood over how things ended, that doesn’t mean you can’t fall in love all over again. While reminiscing about the show, which debuted 10 years ago this year, Cuse says that it’s somewhat inevitable that sometime, somewhere, Lost and its mysterious island will be revisited once more. (more…)
On his 10th green tea of the day, Ian Somerhalder stepped out onto the stage at the National Fan Expo to a deafening chorus of cheers, and as the Q&A began many in the audience were not shy about vocalizing their love for the man that plays the “bad” vampire brother Damon on The Vampire Diaries. “I need it if I’m going to keep up with all these women,” he said of his tea to renewed cheers of the predominately female audience. There were some guys in the audience, but none of them proposed marriage. Or asked him to take his shirt off. Or made any of the myriad of other romantic overtures… (more…)
Evangeline Lilly plays a character never created by J.R.R. Tolkien in The Hobbit: The Desolation of Smaug. Considering that the elf warrior Tauriel has created by Peter Jackson and his collaborators from scratch, it would make sense that the actress asked to play her would have some kind of input into making her character. As it turned out, Lilly had only one caveat for playing Tauriel, and it was a promise that eventually had to be broke when the Hobbit trilogy went into reshoots last year. So what was the promise, and how was it broke? (more…)
Recently, we had a chance to talk face to face with multi-talented comic book writer and artist Tim Seeley at New York Comic Con about his and Mike Norton‘s rural noir zombie thriller Revival, providing a contrast for The Walking Dead, becoming a highly sought after team with Norton, the status of the rumored Hack/Slash film, his interest in bringing his comics to TV or the big screen, and knowing where Revival will end thanks to Lost.
It looks like Damon Lindelof has taken his final internet ass-kicking on Twitter as the prolific writer/producer has seemingly deleted his Twitter account. I know cyber-bullying is a hot issue right now, but to think that even a Hollywood player like Lindelof can have his ego so shattered that he gives up his Twitter account… Well boy, I don’t know. (more…)
Damon Lindelof is one of the busiest screenwriters currently in show business, and it’s all thanks to his six years show running Lost. Well, we all know how that ended, and if we had forgotten, the internet reminded us the other night following the final episode of Breaking Bad.
Lindelof was recruited to write a piece commemorating the end of Breaking Bad by The Hollywood Reporter, and at some point it turned into a pseudo-apology slash admission of guilt concerning the alleged crapiness of the end of Lost. “I agreed to write this piece because I am deeply and unhealthily obsessed with finding ways to revisit the Lost finale and the maddening hurricane of shit that has followed it,” Lindelof wrote.
“In the comments section of the piece I did not write, the following sentiment would have been echoed dozens of times over: ‘What the f— do you know because you f—ed up Lost?!?'” he continued. “How do I know this? Well, for starters, my Twitter feed was pretty much a unanimous run of, “Did you see that, Lindelof? That’s how you end a show.”
That’s true, and some of it was pretty nasty. Still, Lindelof admits that he’s got a problem. “Alcoholics are smart enough to not walk into a bar,” he explained. “My bar is Twitter. It’s Comic-Con. It’s anytime someone asks me to write an article even casually relating to Lost.
“And what do I do? I jump at the opportunity to acknowledge how many people were dissatisfied with how it ended. I try to be self-deprecating and witty when I do this, but that’s an elaborate (or obvious?) defense mechanism to let people know I’m fully aware of the elephant in the room and I’m perfectly fine with it sitting down on my face and shitting all over me.”
Well, there’s an image. Lindelof goes on to say that he’s tired of the fight, and that he appreciates the quiet number of Lost fans who are fans of the finale and feel like lepers because of it. So he’s decided to offer us a truce:
“I’d like to make a pact, you and me,” he said. “And here’s your part: You acknowledge that I know how you feel about the ending of Lost. I got it. I heard you. I will think about your dissatisfaction always and forever. It will stay with me until I lie there on my back dying, camera pulling slowly upward whether it be a solitary dog or an entire SWAT team that comes to my side as I breathe my last breath.
“And here’s my part: I will finally stop talking about it. I’m not doing this because I feel entitled or above it — I’m doing it because I accept that I will not change hearts nor minds. I will not convince you they weren’t dead the whole time, nor resent you for believing they were despite my infinite declarations otherwise.”
There. Everybody happy now? That’s what I thought. But because he can, Lindelof decided to get one last word in before signing off.
“I stand by the Lost finale,” he said. “It’s the story that we wanted to tell, and we told it. No excuses. No apologies. I look back on it as fondly as I look back on the process of writing the whole show. And while I’ll always care what you think, I can’t be a slave to it anymore. Here’s why: I did it for me. I liked it. I was good at it. And I was really … I was alive.”
So there you go, internet, you won. Lindelof is broken-ish. Lesson learned.
Last night’s series finale of Breaking Bad was excellent, and people seemed to have really responded to it. In what was the most anticipated episode of series television since the series finale of Lost, Breaking Bad not only secured 10.3 million viewers, but it was a critical success and a rave with fans of the show was well. As we all know, the reception to the finale of Lost was somewhat less than congenial. Oh forget it, people hated the crap out of it. But still, three years on you’d figure that fans might have gotten over it. And you’d be wrong.
As Breaking Bad drew to a close, fans of the show took to Twitter to voice their satisfaction with the finale – by mocking Lost co-creator Damon Lindelof and his lack off finale writing finesse. In fact, Lindelof was getting so much Twitter traffic, he decided to re-tweet some of the sass of he was getting.
Titus Welliver, a fixture of Sci-Fi and drama TV and cinema known best for his role as the “Smoke Monster” in Lost, has been confirmed–according to Deadline–as the newest human addition to the Transformers 4 cast.
Welliver has carved out a niche playing badasses and military types in TV shows and movies like Red 2, Argo, Man On A Ledge, Gone Baby Gone, Grimm, CSI, Sons Of Anarchy, Deadwood….He even played the Horseman of War on Supernatural (credentials don’t get much more badass than that).
It has yet to be revealed what character Welliver will be playing. Other than a few looks at some of the vehicles that will appear in the film, T4 has been rather secretive concerning details of its plot.
If its cast is any indication, Transformers 4 may not suck quite as much ass as we’ve come to expect. Along with Welliver, the sequel will feature Kelsey Grammer, Stanley Tucci, Mark Wahlberg, Chinese starlet Li Bingbing, and critically acclaimed newcomer Jack Reynor.
Transformers 4 is due in theaters June 27, 2014. Until then, enjoy this video of Titus Welliver in Lost from SDCC 2011:
As nerds, we connect to fictional personalities in a way “normal” people often look at as oddly serious, if not downright creepy. I’m not saying we don’t understand the difference between fantasy and reality – I’m merely pointing out that many of us are creative, sensitive people. Well-crafted imaginary characters often resonate deeply with us, and their losses can be quite harrowing. While I’m sure there are a few folks out there who’d love to re-enact key scenes from Misery with, let’s say, Joss Whedon (I’m half convinced he’s only bringing back Agent Coulson for S.H.I.E.L.D so he can slaughter him in an even more traumatizing manner), most of us stick to bitching and moaning on the Internet, threatening to boycott the shows in question, and then coming back for more next week.
But however much outrage and despair they may inspire, character deaths are often some of the most memorable moments on television – and feature some of the best writing and performances as well. Sure, there’s no shortage of poorly thought out, bullshit deaths, but they’re for another list. Get out your hankies, my nerdy brethren and sistren, and prepare to have your hearts kicked in the balls all over again with The Top 10 Saddest, Most Gut Wrenching Deaths in Nerdy Television.
NOTE: As most of you will have assumed simply from the nature of this list, it features spoilers galore. If you haven’t seen one of the shows featured, and wish to feel the full emotional impact of seeing one of its characters snuff it, I advise you to skip the entry in question. Enjoy!
Is there a more divisive name in nerdery right now than Damon Lindelof? The Lost co-creator and Prometheus screenwriter has stayed fairly busy lately with a lot of film work, but he made his name on TV, and considering the success of his last show, there would obviously be a lot of interest in his next project if he should have one.
And so he does. Vulture is reporting that HBO has decided to greenlight the pilot for The Leftovers, Lindelof’s next project which is based on the novel of the same name by Tom Perrotta (Little Children). The novel focuses on those left behind after “the Sudden Departure,” a Rapture-like event where millions of people suddenly disappear from the Earth. The novel picks up three years after the Sudden Departure as those that remain struggle with the aftermath.
“The fact that there’s this reaping which occurred, and you don’t make the cut, some of us don’t feel worthy, seemed very ripe territory for a cool character drama,” Lindelof tells Vulture.
Lindelof pitched the project just six months ago, so the project seems to be moving through development rather briskly. When will we see the finished series? Excellent question. My guess would be sometime in the summer or fall 2014. HBO has a pretty full plate right now, so maybe the premium cable channel is looking to the future with a plan to fill a whole in the schedule when one opens up.
The whole concept sounds very Lost-y if you ask me. Perhaps Lindelof is looking to do some penance given the way that series ended up in 2010. Or maybe he saw those awful Kirk Cameron Left Behind movies and saw potential. Anyway, are you anxious to see The Leftovers?