Evangeline Lilly plays a character never created by J.R.R. Tolkien in The Hobbit: The Desolation of Smaug. Considering that the elf warrior Tauriel has created by Peter Jackson and his collaborators from scratch, it would make sense that the actress asked to play her would have some kind of input into making her character. As it turned out, Lilly had only one caveat for playing Tauriel, and it was a promise that eventually had to be broke when the Hobbit trilogy went into reshoots last year. So what was the promise, and how was it broke? (more…)
Recently, we had a chance to talk face to face with multi-talented comic book writer and artist Tim Seeley about his and Mike Norton‘s rural noir zombie thriller Revival, providing a contrast for The Walking Dead, becoming a highly sought after team with Norton, the status of the rumored Hack/Slash film, his interest in bringing his comics to TV or the big screen, and knowing where Revival will end thanks to Lost.
It looks like Damon Lindelof has taken his final internet ass-kicking on Twitter as the prolific writer/producer has seemingly deleted his Twitter account. I know cyber-bullying is a hot issue right now, but to think that even a Hollywood player like Lindelof can have his ego so shattered that he gives up his Twitter account… Well boy, I don’t know. (more…)
Damon Lindelof is one of the busiest screenwriters currently in show business, and it’s all thanks to his six years show running Lost. Well, we all know how that ended, and if we had forgotten, the internet reminded us the other night following the final episode of Breaking Bad.
Lindelof was recruited to write a piece commemorating the end of Breaking Bad by The Hollywood Reporter, and at some point it turned into a pseudo-apology slash admission of guilt concerning the alleged crapiness of the end of Lost. “I agreed to write this piece because I am deeply and unhealthily obsessed with finding ways to revisit the Lost finale and the maddening hurricane of shit that has followed it,” Lindelof wrote.
“In the comments section of the piece I did not write, the following sentiment would have been echoed dozens of times over: ‘What the f— do you know because you f—ed up Lost?!?’” he continued. “How do I know this? Well, for starters, my Twitter feed was pretty much a unanimous run of, “Did you see that, Lindelof? That’s how you end a show.”
That’s true, and some of it was pretty nasty. Still, Lindelof admits that he’s got a problem. “Alcoholics are smart enough to not walk into a bar,” he explained. “My bar is Twitter. It’s Comic-Con. It’s anytime someone asks me to write an article even casually relating to Lost.
“And what do I do? I jump at the opportunity to acknowledge how many people were dissatisfied with how it ended. I try to be self-deprecating and witty when I do this, but that’s an elaborate (or obvious?) defense mechanism to let people know I’m fully aware of the elephant in the room and I’m perfectly fine with it sitting down on my face and shitting all over me.”
Well, there’s an image. Lindelof goes on to say that he’s tired of the fight, and that he appreciates the quiet number of Lost fans who are fans of the finale and feel like lepers because of it. So he’s decided to offer us a truce:
“I’d like to make a pact, you and me,” he said. “And here’s your part: You acknowledge that I know how you feel about the ending of Lost. I got it. I heard you. I will think about your dissatisfaction always and forever. It will stay with me until I lie there on my back dying, camera pulling slowly upward whether it be a solitary dog or an entire SWAT team that comes to my side as I breathe my last breath.
“And here’s my part: I will finally stop talking about it. I’m not doing this because I feel entitled or above it — I’m doing it because I accept that I will not change hearts nor minds. I will not convince you they weren’t dead the whole time, nor resent you for believing they were despite my infinite declarations otherwise.”
There. Everybody happy now? That’s what I thought. But because he can, Lindelof decided to get one last word in before signing off.
“I stand by the Lost finale,” he said. “It’s the story that we wanted to tell, and we told it. No excuses. No apologies. I look back on it as fondly as I look back on the process of writing the whole show. And while I’ll always care what you think, I can’t be a slave to it anymore. Here’s why: I did it for me. I liked it. I was good at it. And I was really … I was alive.”
So there you go, internet, you won. Lindelof is broken-ish. Lesson learned.
Last night’s series finale of Breaking Bad was excellent, and people seemed to have really responded to it. In what was the most anticipated episode of series television since the series finale of Lost, Breaking Bad not only secured 10.3 million viewers, but it was a critical success and a rave with fans of the show was well. As we all know, the reception to the finale of Lost was somewhat less than congenial. Oh forget it, people hated the crap out of it. But still, three years on you’d figure that fans might have gotten over it. And you’d be wrong.
As Breaking Bad drew to a close, fans of the show took to Twitter to voice their satisfaction with the finale – by mocking Lost co-creator Damon Lindelof and his lack off finale writing finesse. In fact, Lindelof was getting so much Twitter traffic, he decided to re-tweet some of the sass of he was getting.
Titus Welliver, a fixture of Sci-Fi and drama TV and cinema known best for his role as the “Smoke Monster” in Lost, has been confirmed–according to Deadline–as the newest human addition to the Transformers 4 cast.
Welliver has carved out a niche playing badasses and military types in TV shows and movies like Red 2, Argo, Man On A Ledge, Gone Baby Gone, Grimm, CSI, Sons Of Anarchy, Deadwood….He even played the Horseman of War on Supernatural (credentials don’t get much more badass than that).
It has yet to be revealed what character Welliver will be playing. Other than a few looks at some of the vehicles that will appear in the film, T4 has been rather secretive concerning details of its plot.
If its cast is any indication, Transformers 4 may not suck quite as much ass as we’ve come to expect. Along with Welliver, the sequel will feature Kelsey Grammer, Stanley Tucci, Mark Wahlberg, Chinese starlet Li Bingbing, and critically acclaimed newcomer Jack Reynor.
Transformers 4 is due in theaters June 27, 2014. Until then, enjoy this video of Titus Welliver in Lost from SDCC 2011:
As nerds, we connect to fictional personalities in a way “normal” people often look at as oddly serious, if not downright creepy. I’m not saying we don’t understand the difference between fantasy and reality – I’m merely pointing out that many of us are creative, sensitive people. Well-crafted imaginary characters often resonate deeply with us, and their losses can be quite harrowing. While I’m sure there are a few folks out there who’d love to re-enact key scenes from Misery with, let’s say, Joss Whedon (I’m half convinced he’s only bringing back Agent Coulson for S.H.I.E.L.D so he can slaughter him in an even more traumatizing manner), most of us stick to bitching and moaning on the Internet, threatening to boycott the shows in question, and then coming back for more next week.
But however much outrage and despair they may inspire, character deaths are often some of the most memorable moments on television – and feature some of the best writing and performances as well. Sure, there’s no shortage of poorly thought out, bullshit deaths, but they’re for another list. Get out your hankies, my nerdy brethren and sistren, and prepare to have your hearts kicked in the balls all over again with The Top 10 Saddest, Most Gut Wrenching Deaths in Nerdy Television.
NOTE: As most of you will have assumed simply from the nature of this list, it features spoilers galore. If you haven’t seen one of the shows featured, and wish to feel the full emotional impact of seeing one of its characters snuff it, I advise you to skip the entry in question. Enjoy!
Is there a more divisive name in nerdery right now than Damon Lindelof? The Lost co-creator and Prometheus screenwriter has stayed fairly busy lately with a lot of film work, but he made his name on TV, and considering the success of his last show, there would obviously be a lot of interest in his next project if he should have one.
And so he does. Vulture is reporting that HBO has decided to greenlight the pilot for The Leftovers, Lindelof’s next project which is based on the novel of the same name by Tom Perrotta (Little Children). The novel focuses on those left behind after “the Sudden Departure,” a Rapture-like event where millions of people suddenly disappear from the Earth. The novel picks up three years after the Sudden Departure as those that remain struggle with the aftermath.
“The fact that there’s this reaping which occurred, and you don’t make the cut, some of us don’t feel worthy, seemed very ripe territory for a cool character drama,” Lindelof tells Vulture.
Lindelof pitched the project just six months ago, so the project seems to be moving through development rather briskly. When will we see the finished series? Excellent question. My guess would be sometime in the summer or fall 2014. HBO has a pretty full plate right now, so maybe the premium cable channel is looking to the future with a plan to fill a whole in the schedule when one opens up.
The whole concept sounds very Lost-y if you ask me. Perhaps Lindelof is looking to do some penance given the way that series ended up in 2010. Or maybe he saw those awful Kirk Cameron Left Behind movies and saw potential. Anyway, are you anxious to see The Leftovers?
Every day the internet produces an astounding amount of goodies and gems. Most hilarious, some amusing, but all worth at least a few seconds of your time. We here at Nerd Bastards try to bring you the best bits of news and nerdery the webz has to offer, with a bit of snark thrown in. But sometimes not everything makes the cut. Monday through Friday we’ll be bringing you our inbox leftovers, our forgotten bookmarks, the nerdy bits that simply slipped through the cracks. You can submit items to Nerdy Bits by emailing us at firstname.lastname@example.org.
Sure, we were all sent into a tizzy when it was announced that the production of World War Z was going into seven weeks of major reshoots. Compounded by the six month delay in release, the fact that two writers were brought on to pen those rewrites and rumors of bad blood between star Brad Pitt and director Marc Foster, and it seemed that the film, based on the highly popular book of the same name, was in some deep… Well, you know.
Not so, says co-star Matthew Fox. While talking to Collider, Fox said that despite the hiccups, the finished project will be worth the wait:
“And they can have no basis in fact at all and suddenly it become[s] like a notion out there that World War Z is having problems. Everybody who I’ve spoken to that’s seen the film – it rocks, dude; it’s going to kick ass. And the only issue that I’m hearing with the film is that they want to work on the third act; the end of the film.”
Which more or less confirms what’s already been said. Fox went on to say that the third act re-work was about making the film less open ended. Although the studio wants a trilogy of World War Z films, Fox says that the original ending left a few too many threads hanging:
“Obviously it’s supposed to be a trilogy, so they’re, you know I think they’re fine tuning an ending that feels like this movie wraps. In the original script I always felt it was the perfect combination of a complete film on its own and yet at the same time left you going like, ‘Oh my god, we need another installment.’ And so I think they’re just really fine tuning that, and it might require some additional shooting to get it the way they want it. And I hear that Mr. Lindelof has been brought in to help with that.”
What do you think, Bastards? Has Fox assuaged your pessimism about the film, or are you dubious as you still harbor hard feelings about the Lost finale against him?