Skyscraper

After sitting through Dwayne “No Longer The Rock” Johnson’s third film in less than a year, Skyscraper, you won’t believe a man can fly – Christopher Reeve as Superman/Kal-El/Clark Kent got there first forty years ago and he was wearing spandex and a cape – but you’ll believe Johnson’s one-legged character, Will Sawyer, can leap tall buildings (not leap over, however) to save his family from a burning mega-skyscraper and the rando, vaguely European terrorists who started the fire to steal an ultra-high value MacGuffin. It’s nothing we haven’t seen before from one of the hardest working performers in Hollywood (three films in seven months, with another half-dozen on the way over the next two or three years), but for Johnson’s super-fans, it’ll be more than enough to overlook Skyscraper’s paper-thin, second-rate plot – a mash-up of Die Hard, The Towering Inferno and every action-film cliché in between – forgettable, throwaway villains, a plot and setting deliberately geared toward Asian-Pacific audiences, and mediocre action scenes lathered in CGI spectacle.

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