steven s deknight
Everybody’s got to have two franchises these days. It almost seems like a joke, but if you look at any number of talented young actors in Hollywood it seems like they’ve got to balance appearances in two franchises or film series along with their regular acting in other film roles, TV projects or stage work. In that spirit, John Boyega has gone out and secured himself another major role. Not only does he fill the boots of Finn, reluctant Resistance fighter and reformed Stormtrooper in the new Star Wars trilogy, but now he has been called to cancel the Apocalypse – again – in the upcoming Pacific Rim: Maelstrom. (more…)
Pacific Rim fans have certainly been yanked around the last couple of years since the original film’s 2013 release. First there was the nail-biting box office watch to make it economically viable, then there was the wait for the greenlight, Guillermo del Toro‘s teasing about potential sequel storylines, a shifting slate of screenwriters, the officially announcement that Pacific Rim 2 will arrive in 2017, and then came the news that no, it will not. And just when you though it was safe to write off the possibility that Pac Rim 2 will ever become a reality, comes word that the show’s back on, but with an new director at the helm in the form of the man behind TV’s Spartacus and Daredevil. (more…)
Joss Whedon maybe god of the nerd movie universe right now having written and directed The Avengers, and Avengers: Age of Ultron, but he’s not infallible. Last week in a BuzzFeed interview, he talked about his miscalculations in co-creating Agents of S.H.I.E.L.D., but now he’s pondering whether Marvel made the right call when letting Daredevil go to series on Netflix rather than work to develop a Daredevil feature film. That may come as surprise to all those who a) have been loving Netflix’s Daredevil since it first hit the air several weeks ago, and b) have appreciation for Whedon’s own accomplished TV work. So what is the filmmaker’s justification for wanting Daredevil on the big screen? (more…)
Cotumes are a sensitive topic when it comes to superhero properties; get it right and you’ve got it made in the shade, but get it wrong, like in the case of David E. Kelly’s Wonder Woman pilot for example, and you’re sunk before you even get a chance to float. Two upcoming superhero projects are at the forefront of the costume question, as both having seemingly embraced some unconventional duds for their main characters. The trailer for the Fantastic Four movie shows the titular quartet looking positively “Derelique,” while the Man Without Fear in Daredevil looks like the man without imagination dressed in basic black. But are these heroes due for a costume change mid-story? Cast and crew say, “Yes.” (more…)
In a little over a month, Marvel Studios will begin the next phase of its global multimedia dominance by launching the first of five Netflix series, this one about Daredevil, the Man Without Fear. Starring Charlie Cox as the titular vigilante with super-powered senses, Daredevil promises to be unlike any Marvel movie or series seen so far, a grim and gritty urban tale of dark heroes and darker villains. In a batch of new images from the show just released, we get our first official look at many of the other many characters, and in the accompanying interview, the show’s bosses discuss where Ol’ Horn Head, that is if he does take on a horn-headed helmet at some point, will find his place in the Marvel Cinematic Universe. (more…)
With Netflix/Marvel Studios’ Daredevil now having an actual factual release date, excitement for the series is hitting a fever pitch. With just about three months until fans and the curious will be able to see all 13 episodes of the first season, the truly anxious are eager to get answers to a whole whack of questions concerning what the show will look like, what all we might expect, and what role the Man Without Fear might play in the broader context of Marvel’s series and films. Thank God for Twitter then. Recently, Daredevil showrunner Steven S. DeKnight (Spartacus) responded to fan questions on the social media site, addressing all manner of queries about his show, and his thoughts on the last attempt to make project based on Hell Kitchen’s antihero of choice: 2003’s Daredevil released by 20th Century Fox. (more…)
Marvel Studios and Netflix have announced a late Easter treat for superheo fans: Daredevil. The first of five series co-produced by Marvel and Netflix has been in the works since last summer, and is now just four months away from mass consumption according to the video streaming site. Daredevil, based on the super-powered crimefighter created by Stan Lee and Bill Everett, will be the latest test for the Marvel empire launching the series on – drumroll please – April 10, 2015. As per usual, all 13 episodes of the series will be available for immediate binge watching obsessive types just after midnight on April 10, hopefully tidying over Marvel fans just a few short weeks before Avengers: Age of Ultron. By the way, that’s not all the Daredevil news we’ve got. See below. (more…)
J. Michael Straczynski has had his ups (Babylon 5, Clint Eastwood’s The Changeling) and downs (Captain Power and all post B5 spin-offs) in Hollywood, but it looks like JMS is on an upswing again with not one, but two TV projects in the works with some of Hollywood’s top-tier talent.
First off, Straczynski is teaming up with the Fresh Prince himself, Will Smith, as well as Smith’s Overbrook Entertainment partner James Lassiter, to create a series called Epidemic, which, from the sounds of it, is about some kind of viral outbreak. Maybe Joe hasn’t gotten Crusade out of his system and is looking to tell another character-driven drama about trying to cure a deadly plague.
But the most compelling project on the plate is called Vlad Dracula. Guess what it’s about! If you said a historical-horror blending of the literary Count Dracula created by Bram Stoker and his real-life inspiration, medieval monarch Vlad the Impaler, then you’d be correct.
If you’re not hooked yet, Straczynski will be doing the series for Starz and working with the Spartacus team of Sam Raimi, Rob Tapert and Steven S. DeKnight. Roy Lee (The Ring, The Woman in Black) will also be involved in the production.
Here’s what DeKnight says of the project:
“The project is a unique spin of the classic tale, blending the historical facts of the 15th century Prince of Wallachia, with the fictional Dracula whose story is known around the world and continues to fascinate audiences. “Vlad Dracula” traces his evolution from a revered ruler to the world’s most feared vampire, and his slow downfall as he struggles desperately to hang on to his humanity, his wife and his kingdom.”
Speaking of DeKnight, he seems to be doing his best to put Spartacus in the rearview after the recently announced cancellation of the sex and swords series. DeKnight is also at work on an epic space war drama called Incursion, which the writer describes thusly:
“Incursion, an epic science fiction action-thriller that follows a squad of soldiers caught in a war against a hostile alien race. Each season the battle will be fought on a new, exotic planet as humanity punches deeper into enemy territory. Grittily realistic combat, darkly complex characters and intrigue on a cosmic scale will permeate the tale of fighting men and women facing the pressures of war and an enemy unlike any ever seen.”
Sounds interesting. We all know TV is bereft of a good space drama so maybe DeKnight can fill the void. As for Vlad, I think we can all agree that a vampire series that has more in common with Spartacus than Twilight can be nothing but a good thing.
Sources: Blastr and Cinema Blend
It seems that the epic of Spartacus is coming to an end after the forthcoming third season according to none other than series’ creator Steven S. DeKnight. In an interview with The Hollywood Reporter, DeKnight explained that it wasn’t costs, ratings, or even the untimely death of the series’ leading man that’s bringing the show to a close, it’s just simply time to wrap the story up:
“It’s a bit unheard of to end a show when it’s doing better than ever. It’s a bold move and we talked about it with Starz. How long do you run a show? Do you run it until you can squeeze every last bit of revenue out of it or do you end it on a high note? That was part of the decision to wrap up the show. The idea of ending the show when you’re on top and the audience still wants more instead of dragging it out until it starts to wane and you kind of limp to the finish line. I’ve always thought that five seasons was the perfect number; you’ve got enough time to tell a great story but there’s not so much real estate that you start to get a little flabby in the middle. This is ending a season early. Spartacus is a bit of an unusual duck. We’ve always had an ending—it’s written in history—so we knew where we were shooting for.
“My original thought was that this show could go five to seven seasons but we realized the actual history is very scattershot: the rebels went north, south, east, west, then back north, then broke apart, came back together. We thought, instead of repeating ourselves with one wave of Roman senators after another going after Spartacus, getting defeated, going after Spartacus, getting defeated, why not really condense the story. … It’s like The Princess Bride: cut out all the boring bits and just make the best, most rip-roaring-est tale we can to wrap up the series.”
The next season of Spartacus, “War of the Damned,” will premiere in January on Starz.