What if the Dark Knight trilogy was a footnote in Christopher Nolan’s career? The man who respected a vastly misunderstood audience, the man who made quality a pre-requisite for real success in the superhero genre and who took a broad and broody concept and drained every cartoonish quality out of it for the better. What if Nolan transformed comic book movies and then went in a dozen different directions that all eventually pointed up?
This is the man who gave us Memento, Inception and now Interstellar, which looks so grand and intimate, so beautiful and gut-wrenchingly raw. Anything is possible. (more…)