Willa Holland

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Two weeks ago, Arrow dropped some serious bombshells. Not only did Slade (Manu Bennet) continue to wage war on Oliver (Stephen Amell), but he revealed to Thea (Willa Holland) her true parentage and told Laurel (Katie Cassidy) The Arrow’s secret identity. Last night’s episode mostly dealt with the repercussions of those bombshells, but the progression of events plodded along in such a way it was difficult to ever really appreciate any developments. There was simply too much going on in “The Man Under The Hood” to give any of its interesting threads the time and energy required. (more…)

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Let’s be honest, last night’s episode of Arrow was about as near perfect an episode as they’ve had yet. And this season, as I’ve mentioned over and over, is already a vast improvement over its first. “Deathstroke” is the icing on the cake (which is saying something considering there’s still four more episodes to go). It’s thrilling, tense, and keeps you guessing at where its heading the whole time; an impressive achievement for the often heavy handed show. (more…)

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Based on the title alone my expectations were high for “Birds of Prey“. Maybe that’s why this episode left me feeling a little underwhelmed. It wasn’t that “Birds of Prey” was completely unenjoyable, but it was an almost total deviation from this series’ overarching and more compelling plot line for the sake of bringing back The Huntress only to turn her into little more than a mustache twirling villain (that is until the episodes final moments, but still). (more…)

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After last week’s Arrow review was published I was genuinely surprised by the response. Most out there on the interwebz loved last week’s episode, where I was less impressed. My biggest problem was its complete reversal of the recent developments about Brother Blood, basically halting any progress The Arrow (Stephen Amell) made into that investigation. Blood doesn’t appear in “Tremors“, confirming my concern over any recent payoff on that front.

Yet unlike last week’s tiresome episode, I found “Tremors” to be more enjoyable–shocking, I know, considering how much it focused on angry, angsty Roy (Colton Haynes). (more…)

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Arrow‘s second season ended its first half on a real high note. Oliver (Stephen Amell) is firmly cemented in his role as Starling City’s hero, Roy (Colton Haynes) survived his injection of Miracle (aw shucks), Barry (Grant Gustin) was successfully electrocuted and is on his way to becoming The Flash, and Slade Wilson (Manu Bennet) was revealed as the man funding Blood’s (Kevin Alejandro) slow take over of the city. Basically, the mid-season finale was fantastic. Can the second half keep up that momentum? (more…)

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Before Arrow went on a one week, holiday hiatus it left off with a rather lackluster episode that saw Moira (Susanna Thompson) acquitted and bid farewell to Count Vertigo (a character I’m all too happy to see bite the dust). Thankfully, this week executive producers Greg Berlanti and Andrew Kreisberg, along with writer and DC Comics Chief Creative Officer, Geoff Johns, swoop in to set up a two part, mid-season finale that will excite fans of the show and absolutely thrill DC mega-nerds. (more…)

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Moira Queen’s (Susanna Thompson) day in court has come. Will she fry for the 500+ innocent people she had a hand in murdering, or will she walk free? The earthquake only hit six months prior, which means her case is moving ahead at lightning speed, and in a flashback we witness the Arkham-like prison break it caused at Iron Heights. We see the guards escaping, leaving the inmates to fend for themselves (jerks), and we see The Dollmaker freed, by Count Vertigo (Seth Gabel), no less. (more…)