One thing Nerds love is an independent project. Watching creators build their worlds up from the ground with barely more than their own moxie. It warms the cockles of nerd hearts across the world and can often lead to some of the best work a creator puts out. And today we turn to creator Brian Rosenthal. Notably from his Marvel Zombies vs. Army of Darkness film from 2013, Rosenthal comes at us with his latest pitch for a new movie – The Last Blockbuster.
Standing six foot, nine inches, Jake Estrada truly is a giant among men. With his catch phrase, “We can do this!”, and his positive encouragement of indie creators, Jake has made a name for himself in his local community and beyond. This gentle giant is a husband, father, indie comic creator, blogger, teacher, producer, artist, actor, and entrepreneur. He is a producer and host for many cons in his local community, including; The Spacie Awards (an award event celebrating indie creators on the Space Coast of Florida), Space Coast Comic Con, and Indiecon (A talent show that will showcase indie creators in Brevard County, FL).
With his publication, Space Coast Comixx, Jake has been able to share his own content as local talent with his local community, elevating those around him as he chases his own dreams.
We had a chance to talk with Jake recently and learned a lot about the indie community, making a movie, and time management. (more…)
When Bryan Singer’s X-Men opened twenty years ago, few expected a mid-budget superhero team-up to spawn two direct sequels, spin-offs, a reboot, and three sequels to the reboot (not to mention re-energizing the superhero genre), but it did, but like all good things – or all things in general – it had to come to an end, but nothing then or now said it had to end with a flaccid, turgid, ultimately pointless entry like the much-delayed, less-than-anticipated Dark Phoenix. A second go-round in bringing Chris Claremont and John Byrne’s classic comic-book storyline to the big screen – Dark Phoenix drops the “mutant cure” storyline that undermined and ultimately neutered Brett Ratner’s -Men: The Last Stand thirteen years ago – replacing it with a woefully underwritten, under-motivated central arc, Jean Grey’s transformation from troubled mutant with telekinetic and psychokinetic powers, to a rage-filled superpowered, near godlike super-mutant, but repeatedly fails to make her – and by extension, Dark Phoenix: the Movie – intrinsically or organically compelling, let alone passably watchable. Another missed opportunity, another misfire isn’t how nostalgia-prone X-fans wanted to see the series end before the Disney Industrial Complex folds the X-Men into the Marvel Cinematic Universe, but that’s what Dark Phoenix delivers. (more…)
Gareth Edwards’ 2014 Godzilla reboot left moviegoers – and some, if not most, film critics – generally unfulfilled, wanting more, more action, more Godzilla, and more kaiju-on-kaiju action. Godzilla spent the majority of his self-titled movie’s running time offscreen, shown only tangentially as an after-thought. When he finally made it onscreen, it was only briefly. Even the climactic battle between Godzilla and a no-name pair of generic monsters disappointed. Godzilla won the crown and/or title, of course, but humanity lost, not just lives or property, but the claim of ownership or dominion over the earth and its resources (cue environmental/climate change theme). In the 2014 reboot, San Francisco took the brunt of Godzilla’s final battle. By the end, thousands, if not hundreds of thousands had lost their lives, but in the Godzilla-verse, the human cost of kaiju battles usually gets sidestepped or simply ignored. The spectacle is all, the human drama, if any, always a distant second. That, of course, isn’t so much a criticism as it is an observation that also holds true for the direct sequel, Godzilla: King of the Monsters, an unapologetically dazzling 200-million-dollar love letter to the Godzilla-verse that’s spanned more than sixty years (and counting). (more…)
DC Universe is knocking it out of the park again and again. Titans, Doom Patrol, and now Swamp Thing. DC Universe is stepping things up in quality, not afraid to take chances on comic-accurate costumes and lesser-known characters. Pushing things to a more adult-like direction, darker without taking itself too seriously or losing the “fun” that fans feel is synonymous with comic book characters. Now with Swamp Thing, they delve into the horror genre. Bringing in characters like Madame Xanadu and Blue Devil, Swamp Thing is following in the footsteps of Titans by showcasing characters that have never been seen live action. The newest trailer gives fans a glimpse into the world. But will it be another home run?
You don’t have to be a cynic to recognize Disney’s corporate strategy to re-adapt practically the entirety of its animated back catalog into a seemingly endless stream of live-action or CGI-live-action feature-length films aren’t motivated by artistic or aesthetic considerations, but purely commercial ones. And it’s not just about how much box-office revenue this or that new release generates, but also future revenue via Disney’s new streaming service, Disney+, and, of course, extending intellectual property rights further into the future. It also makes sense why Guy Ritchie – no one’s idea of a family-oriented, mainstream director – jumped at the opportunity to direct the live-action remake of Disney’s 1992 animated classic, Aladdin, with Will Smith, a movie star with remarkable consistency, replacing the late Robin Williams as the cosmically powered, blue-skinned, wish-granting genie. (more…)
There’s slow, there’s slow burn, and then there’s Brightburn.
Nepotism can get you far in or out of Hollywood, but in the case of Brightburn, a rote, routine “What If?” Superman-as-supervillain origin story co-written by onetime schlock purveyor-turned-A-list director James Gunn’s brother and cousin, Brian and Mark, respectively, it’s not far enough. Gunn produced Brightburn, but he obviously played a key role in getting the Brightburn script in front of studio executives eager to capitalize on the lucrative superhero genre. He just as likely helped Brian and Mark to shape its not-quite-clever Superman-as-supervillain storyline. Gunn should have given the underwritten, undercooked script four, five, or even six more passes before deeming it worthy of actual production. Brightburn takes a steep dive off a short cliff, repeatedly failing to meet any of the Gunn trio’s supposedly subversive intentions, taking an old-to-comics-new-to-movies premise with promise and potential and instead delivering a flaccid, turgid, ultimately disposable contribution to the genre. (more…)
Let’s start this discussion by saying Robert Pattinson is a fine actor who’s done great work, not just Cedric Diggory or Edward Cullen shenanigans. So, let’s throw those out the window.
Next, I’ll be quite frank that I don’t like Robert Pattinson as Batman. But boy, does he deserve a big, heroic role.
Robert Pattinson started his career pigeon-holed into being a moody romantic lead. While I think moody fits his acting well, I understand how romantic lead can be stifling for an actor who wants to take on more serious, dramatic roles.
After great work in movies like Good Time, Robert Pattinson deserves a big budget movie where he can show off the dramatic, more action-packed actor he wants to be (at least if Good Time and Batman are any indication). It’s no surprise that he’s in negotiations with a big director like Matt Reeves (Dawn of The Planet of The Apes, War for Planet of The Apes) to play such an iconic role.
Unfortunately, I just think Batman was the wrong choice.
Even though trailers have become the hottest way to display a new upcoming film, before the internet boomed posters used to take that role. Plastered across movie theater walls, they had to encapsulate the essence of a movie in a single, beautiful, wordless frame. The posters were an artform all on their own.
Movie posters aren’t as drooled over as before, but that doesn’t mean there aren’t still some damn some beautiful ones. After all, the John Wick 3 poster has completely floored fans.
With such a beautiful image on the tips of our brains and fluttering our hearts, let’s take a look back at other posters that give wonderful eyegasms and other artistic feels to anyone who sees them.
Some of these designs have inspired and impressed for decades; prepare for some serious optical pleasure. (more…)
Last year James Gunn was fired from Guardians of the Galaxy Vol 3. With Brightburn in theaters, Suicide Squad 2 next in the pipeline, and rehired by Disney, Gunn spoke with Deadline about the past year and where he finds himself now. How did the firing change him and why does he consider the day he was fired the “best” and “worst” day of his life? Gunn’s story and experience is one that we should all be paying close attention to and learning from. In his own words “People have to be able to learn from mistakes. If we take away the possibility for someone to learn and become a better person, I’m not sure what we are left with.”