The audience for AMC’s The walking Deadis huge. Bigger even than the shambling multitude of corpses that chase its protagonists around our screens every Sunday night. Now that the show has earned its well-deserved eighth season renewal, there’s no reason to think that the end is in anywhere near in sight. The story of the intrepid band of beleaguered survivors battling undead hordes can’t be contained in a paltry eight seasons. In fact, as Show runner Scott Gimple recently hinted, It can’t even be contained by the small screen.
When the trailer for Captain America: The First Avenger came out, some enterprising video fan set it to the theme song from Team America: World Police, and it worked. Beautifully. There’s something about the Captain America movies that seem to make it infinitely remixable, and so its been done again with this new video that turns the sequel Captain America: The Winter Soldierinto a product from another time. There was a lot of talk during the film’s production and release that The Winter Soldier was akin to political thrillers of the 1970s, but how does the Marvel sequel look as a cheesy action movie from the 1980s? Your answer is below. (more…)
If it’s a Hobbitmovie, and there’s “Battle” in the title, you better believe that it’s going to be an eeeeeeeeeeepic battle. In both scale and duration. In an new look inside the final Hobbit movie, The Hobbit: The Battle of the Five Armies, director Peter Jackson laid out just how big a battle with five armies can look like and some of the logistic challenges he faced creating, what looks to be, the most epic battle yet ever to take place on screen in Middle Earth. Of course, interest in The Hobbit isn’t as strong as it was before the trilogy began in 2012, but maybe with this we’re all interesting in going back to Middle Earth one last time… (more…)
The doorbell rings, startling Laura Peterson (Sheila Kelley) out of a silent grievous moment. She rises and opens the door to find a handsome young man (Dan Stevens) waiting for her on the front porch. He has striking blue eyes; piercing crystal spheres that soften with kindness upon taking in her form. He says his name is David. He says that he knew her son and served with him in the war. He says that he was with him when he died. He says that he promised to ‘check on’ her family, and that pledge is what led him to this encounter. Laura asks David if he’d like to come inside and opens the door a little wider, letting him know that he is welcome in her home.
Thus begins The Guest, the latest from Simon Barrett and Adam Wingard, the writing/directing team behind You’re Nextand A Horrible Way to Die. Outside of being a sparse set up for the mess of mayhem which follows, this opening scene acts as a kind of manifesto for the rest of the movie. This time out, Wingard and Barrett are playing with the unassuming; subverting the trust we put in those who have earned it. What results from the basic conceit is an evolutionary leap forward in craft for both the writer and director, as they combine the sure-handed simplicity of early Cameron with the meticulous, widescreen framing of Carpenter. Not only the best film both artists have put their name on, The Guest is easily one of the most economically entertaining action films since the originalTerminator. (more…)
Don’t let Electric Boogaloofool you: Roger Corman started it.
Menahem Golan and Yoram Globus simply improved upon the cheapo tyrant formula that came to dominate drive-in style cinema in the 60s and 70s. Technically, The Weinstein Brothers perfected the mold, taking the schlock-factory model and somehow managing to add genuine quality into the mix (a shocker, I know). But none did it quite like Golan & Globus, whose somewhat unbelievable rags to riches story was fueled by pure, maniacal love for cinema. And much like he captured the Outback mayhem that was Australian genre cinema in the 70s with Not Quite Hollywood, Mark Hartley has returned to give us The Wild, Untold Story of Cannon Films. Only by narrowing the focus of the film and making it much more about Golan & Globus as people (though the constant talking head impersonations of the brothers threaten to turn the cousins into cartoons), it gives Electric Boogaloo an intimate edge that the director’s previous cinema documentaries lacked. Frankly speaking,Mark Hartley’s third picture devoted to the niche racks at your local video store (or, more accurately in 2014: Netflix Queue) might be the best movie about movies since Ted Demme’s A Decade Under the Influence. (more…)
Like a lot of Canadian kids, my first encounter with Hercules was with Adventure Cartoon Productions animated series The Mighty Hercules, which Global ran ad nauseam Saturday mornings well into my high school years. They were simple enough, with Hercules as basically the Ancient Greece Batman, beating up bad guys and taking them to prison on Mount Olympus, which, as it turned out, was as pitifully easy to break out of as Arkham Asylum.
Every couple of years or so, the myth of Hercules gets re-interpreted for a new audience, and in a new way. So far, there’s been two Hercules movies in 2014, the first one came out in January and starred some Twilight beefcake as the son of Zeus, but in the case of Brett Ratner’s Hercules it has the immediate ace in the hole of having Dwayne Johnson as the titular hero. Johnson’s charm and magnetism is a definite advantage to the film, and if the movie he was in was tighter it might actually equal the assets brought by its star. Ratner’s Hercules is a solid B-effort, but it had the potential to be an A. (more…)
If you’re going to have someone direct your big, broad, totally gory Helm’s Deep knockoff Episode, it might as well be the director of Dog Soliders, The Descent and Centurion (not to mention the mastermind behind Season Two’s epic, “Blackwater”). Marshall doesn’t just get to go really HUGE (sporting what appears to be a much bigger budget than his previous set of war games), but is also tasked with delivering a reminder that Game of Thronescan actually be “fun”. Despite being mostly effective from a storytelling perspective (Jaime’s weird rapeiness aside), this season has seen probably one too many grim moments; an emotional barrage that has left a good portion of the audience (readers and non-readers alike) slightly jaded. Marshall’s injection of the fantastical (giants! wooly mammoths!) is a much-needed breath of fresh air and a welcome respite from the seemingly all-encompassing cloud of gloom that has hung over much of Season Four. (more…)
So that might be an exaggeration (as I’m sure your Black Widowfan films are PER-VER-TED!), but I’ve got to hook you somehow, right?
Luc Besson is the king of creating badass, female action leads, and his latest, Lucy, seems to be no different, pitting Scarlett Johansson as a “merciless warrior evolved beyond human logic” (the press release’s words, not mine) against what seems to be the entirety of China’s organized crime syndicate. There’s a rocket launcher wielded against her at one point, so I’m probably going to watch it.
Chevy Chase’s Fletch is a seminal film for sarcasmaphiles and now, after a long search and many lesser candidates, the franchise is getting an action-comedy reboot with former Saturday Night Live and Horrible Bosses star Jason Sudeikis in the lead role, but is it a good fit? (more…)
If you live in Cleveland, and you heard what you thought was the sound of gun fire and explosions today, don’t worry, it wasn’t an attack, at least not if you’re name is The Falcon or Black Widow. Yes, they were filming a scene from Captain America: The Winter Soldier on the Memorial Shoreway overpass at West 3rd St. in Cleveland, and Cleveland.com (via Comic Book Movie) got some pictures of the shoot.
There’s a full photo gallery below, but what is it that they were filming? Excellent question, and Comic Book Movie did a nice little breakdown that may offer some slight spoilers, so read on at your own mitigated risk:
As you’ve seen in photos earlier today, the Winter Soldier is riding on top of a vehicle and in this vehicle are what appeared to be his personal armed posse. After the vehicle stops the minions get out with machine guns poised to fire and the Winter Soldier gets off the hood of the vehicle.
The Winter Soldier is carrying a grenade launcher and raises is at a vehicle that had both the doubles for the Black Widow and Falcon (or Sam Wilson, whichever way he is called in this film). He let’s off a blast. His fellows-in-arms open fire as well. Sadly, the photo taken of the Winter Soldier with the launcher was obscured and blurry.
Our heroes take cover from the blast and gunshots and it appeared they were preparing themselves for some hand-to-hand fighting versus the Winter Soldier and his armed buddies. Winter Soldier and his posse versus the Black Widow and Falcon?!