Bradley James

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Despite all good intentions, I missed recapping last week’s installment of Merlin, the eleventh to last one we’ll ever get (sniff). So I decided that we’ll do two-for-one this week, twice the Merlin for half the price. Or however that saying goes.

First up, “The Death Song of Uther Pendragon.” Let’s just get right down to it as this episode not only revisits King Arthur’s lingering daddy issues, but also features the return of daddy himself, Uther Pendragon, and his portrayer Anthony Head. I guess going into what turned out to be the final season felt timely enough for Arthur to put the last vestiges of fatherly expectations behind him officially, and certainly “Death Song” didn’t disappoint in delivering some highly Oedipal payback with satisfactory results.

The episode opens with Arthur proving that chivalry isn’t dead by saving a woman accused of sorcery from a mob in a mood to burn. Ironically, the leader of the village tries to reason with Arthur saying that back in Uther’s day he’d stick around to help set the fire, but Arthur himself has all these “crazy” ideas about evidence and fair trials. He manages to save the woman from the fire, but her injuries are too severe and she passes away on the way back to Camelot. Before she dies though, she gives Arthur a gift:  the Horn of Cathbhadh, a magical MacGuffin that allows the bearer a toll-free call to the afterlife.

The afterlife, of course, is at the front of Arthur’s mind these days. It’s the anniversary of his coronation, which not so coincidentally is also the anniversary of his father’s death. After much thought, Arthur decides to ignore Gaius’ warning about the danger of using the Horn and rides out to Great Stones of Nemetonm (cough*Stonehenge*cough) to have a parley with his father. But what’s supposed to be a beautiful reunion between father and son turns into an utterly not-hilarious roast on Uther’s part of his son’s decisions as king. Elevating commoners to knights? Boo! Marrying a servant girl? Hiss! Indulging a fetish for cornerless furniture? Why you little…!

Needless to say, it doesn’t go well, but it goes from bad to worse when Arthur returns to Camelot and strange things begin happeneing. A meeting of the Round Table is interrupted by a falling chandelier, Sir Percival is cut by a flying axe, and the Queen herself finds herself caught in a scene from Poltergeist. It all adds up to one thing, when Arthur went to the other side to see Uther, Uther must have followed him back. And like Viggo the Carpathian, Uther was out for some extreme, ghostly payback (but no mood slime).

Arthur and Merlin search the castle for the spirit of Uther so that they can get rid of him, or, in Arthur’s case, reason with him. Alone in the throne room, Arthur finally encounters his father’s ghost. Uther tells Arthur that he didn’t spend a lifetime building the great kingdom of Camelot to see his son piss it all away. Arthur’s incensed and tells Uther that he was the weak one, ruling through fear and mistaking it for strength, which is why he ruled alone, and what ultimately lead to his downfall. At this point, Uther’s had enough, of both the criticism and his son. Time to die!

But before Uther can kill Arthur for good, Merlin arrives. Uther gets on his high horse writing Merlin off as a servent, but Merlin gets to show Uther, for the first time, what he’s really made of. The dead king is taken aback, and while Merlin is able to get the upper hand, Uther manages to pin him with a pair of well-place lances. But Arthur recovers before Uther can finish Merlin off, and before Uther can spill the recently revealed beans about Merlin, Arthur blows the horn and returns Uther to the afterlife. Lesson learned, Arthur may never be able to please his father, but he believes in his own convictions and beliefs more than making his father proud.

EPISODE NOTES

  • Whoever did the ghost make-up for Anthony Head, I’m not sure whether their intent was to evoke Frank Langella’s Skeletor from Masters of the Universe, but if it was, good job.

  • Did anyone else think that Uther told Arthur that he loved him specifically so the young king look back and thus free Uther from the afterlife to wrench havoc. Of course, there was always a dark, calculating edge to Uther, but even for him, screwing around with his kid’s feelings like that, is cold.

  • Also, do you think it ever occurred to Uther to concrete some of his ghostly revenger powers on Morgana, the true architect of his defeat and death? Certainly she had something coming in the form of revenge, right?

  • And how great was that confrontation scene between Merlin and Uther? Both Colin Morgan and Anthony Head played it perfectly in my opinion, especially Uther’s realization that he had appointed a sorcerer to be his son’s own personal servant. These moments are nice to get, because I think the whole thing with Merlin’s secret is being dragged out far too much. Smallville, which was a primary influence on Merlin, was able to open up its world considerably when Clark started sharing his secret with his close friends. The drama about whether or not Merlin’s hat will be tipped and his secret unfurled is becoming far too contrived for my liking. Especially now in the fifth season.

Fathers and their children was also a theme in this week’s episode, “Another’s Sorrow.” which continued this season’s returning guest star parade featuring Janet Montgomery as Princess Mithian, Arthur’s rebound royal when he was stinging from Gwen’s betrayal last season. But Mithian’s return to Camelot had nothing to do with romance and everything to do with revenge. Not Mithian’s of course, but an unexpected – and unwanted – guest who’s returned to the hallowed halls of Camelot.

If the subtlety hasn’t hit you yet, I’m referring to Morgana. The witch teamed up with Odin to take the kingdom of Nemeth and King Rodor. His daughter Mithian, meanwhile, was able to escape with her maid Hilda, except that Hilda is really Morgana in a magical makeover to make her look older, and she’s using Mithian to recruit Arthur not for a rescue mission, but to lead the king into a trap. Naturally, the whole thing goes according to plan because Arthur’s doubly tuned up because not only is his sense of justice violated by Odin’s attack on Nemeth, but he’s got a personal score to settle against Odin. Remember, Odin was the guy that fatally injured Uther. “Odin. My name is Arthur. You killed my father. Prepare to die.”

The Knights of Camelot set out, despite both Merlin and Gwen’s reservations about the mission; Merlin’s spider-sense in particular in going off the charts. Mithian attempts to warn the others, but to no success, and even when she does get through to Merlin, Morgana concusses him good so he can’t warn the others. So as Gaius and Gwaine remind behind to tend to Merlin, the others press on for the ancient fortress in which Odin is holding King Rodor.

Gaius, using whatever magic he has left, is able to revive Merlin, who despite being cancused remembers that Hilda’s really Morgana and that Arthur and the others are most likely… Well…

Exactly. And the trap is sprung. Odin gets Arthur alone in the tomb, and the knights are outside surrounded by goons. Morgana is very pleased with this turn of events and sheds the Hilda ruse, but before the gloating can segue into actual killing, Merlin and Gwaine catch-up to the others and are able to rescue everyone. Merlin channels his inner-Daisy Johnson to provide a distraction, and Gwaine shows off his prowess with a crossbow. Everyone escapes, with Merlin giving Morgana a good magical shove for payback, but Arthur and Merlin split off from the others to lead Odin and his men in one direction so that Rodor and Mithian can regroup with the rest of the knights with Percival.

Arthur and Merlin end up cornered, and Odin decides to settle things with Arthur mano-a-mano. Arthur beats Odin handily, but  he hesitates before going for the killing blow. Odin wants him to do it (he wants him to do it – COME ON!), but Merlin convinces Arthur that it’s better for the future of Albion to make a truce, end the cycle of violence and make a clean start, a better future. Arthur sees the wisdom and offers Odin his hand, which is, albeit a bit reluctantly, accepted.

Back at Camelot, Arthur tells Rodor and Mithian that Nemeth has been restored and Odin is withdrawing. He’s also not mad about Mithian’s deception and concedes that sometimes you do crazy things for family when there’s danger. Gwen tells Arthur that she’s proud of him, but Arthur is humble admitting that Merlin deserves some credit too, continually proving that his servant is, at least sometimes, not as big an idiot as he appears. Morgana, however, lives to fight another day.

EPISODE NOTES:

  • It was interesting to see Morgana go sly in order to get back into Camelot, but I’d hate to think they’re going to use this as a crutch to get her to sneak around unnoticed a la the Old Merlin routine from last year.

  • It was a nice callback to see Mithian get along so well with Merlin and trust him. It was really a sweet moment in Mithian’s last appearance where she talked to Merlin and asked him to give her a chance after the whole Gwen thing. It was nice to see that they still had a mutual connection and friendship.

  • Gaius on a mission – and using magic!? Weird to see, but it was cool to know that the old guy can still be bad ass when he needs to be (or as bad ass as Gaius can get).

  • Katie McGrath really seemed to loving the scenery-chewing villainy this week. She was a couple of notches out from Wicked Witch of the West territory, but we’ll cut her some slack since she had last episode off.

  • Speaking Morgana, I’d wish they’d out Merlin already so that there can be a proper face-off between opposing magical forces. I got the sense they were kind of teasing it at the end with Merlin and Gaius’ discussion of Morgana’s growing prowess, but Morgana seems to have completely forgotten that somewhere out there Emrys is throwing salt in her game.

  • Bradley James also did good work this week portraying Arthur’s cool calculation and his quiet fortitude. It’s not a flashy performance, but you could definitely feel the gravitas of a Once and Future King there. James has really grown into the armor over the length of the series and it will interesting to see what he does through till the end.

Next Week: Some compelling foreshadowing. And evil witches.

It’s somewhat bittersweet that we kick off this new season of Merlin, because we know it will be the series’ last. But as they say, the show must go on, as will these re-caps. For this season, I will forgo the usual blow-by-blow account, not because I didn’t enjoy doing them, but because they’re rather time consuming, and I just don’t have that kind of time anymore. So let’s get right down to the season premiere of Merlin, the once and future series about medieval times’ greatest bromance.

As previously reported, this season picks up three years after the end of series four. It’s been a time of peace and prosperity for Camelot, and one that’s seen a few changes, for instance, did you notice that circular piece of furniture that Arthur’s holding meetings around now? The order of the day is Ismere, a fortress in the northern plains. Sirs Gwaine and Percival were scouting the area when they went missing with 60 of Camelot’s finest, so can somebody say rescue mission?

You don’t exactly have to be a Druid seer to know that it’s Morgana who’s up to no good in Ismere. Now controlling the Saxons, she’s got a small slave labor force digging underneath the castle in search of a priceless artifact. It seemed to me that Morgana was an after-thought in series four even though she was the Big Bad at the center of it all, sometimes being squeezed into an episode just to remind us that Arthur’s uncle Agravaine is her man in Camelot. But if last season, Morgana was playing things cool and taking advantage when a situation came up, this season, she’s all proactive. So what is she looking for under Ismere? Arthur’s Bane.

Not that Bane.

According to Morgana’s new henchman, Ruadan, they will learn what Arthur’s Bane is through the Diamair, the key to all knowledge. They just need a few more guys to help dig it up.

Arthur’s rescue of his men takes a detour through a decimated village where Merlin detects a disturbance in the Force. He finds the Druid seer Lochru dying in a nearby cave, a moment that Lochru has long dreaded. He tells Merlin of Arthur’s Bane, who nobody cared about till he put on the mask– Sorry. Again, wrong Bane! What Lochru does show Merlin is a vision of the future: the Battle of Camlann, and the ultimate showdown between Arthur and Mordred. (Obviously, we don’t want to spoil how it turns out.) We don’t get to see much of the re-cast Mordred this week, but I will say that actor Alexander Vlahos makes a believable grown-up Asa Butterfield.

The Great Dragon later confirms Lochru’s gifts and advises Merlin to be weary, not that the kid needs the advice, or, for that matter, not that he needs any new concerns to get himself distracted. As Arthur and the others push on for Ismere, it seems that Camelot’s got mole issues again. Queen Guinevere’s new maid Sefa, as it turns out, is the daughter of Ruadan, who tells her father that Arthur and the Camelot knights are taking the sneaky, less direct route to Ismere from the west. The news allows Morgana and the Saxons to get the drop on Arthur, who’s injured in the ensuing battle, but saved by Merlin. They get separated from the others, but push on for Ismere on their own.

Sirs Elyan and Leon manage to return to Camelot knowing their plan has been compromised. Gwen clues in immediately that it’s Sefa who spilled the beans, and brings her before the court to find out what she told to whom. Meanwhile, Gwaine notices a funky light in a cave under Ismere as he’s breaking rocks and follows it, and after getting knocked out in a fight with the Saxons, he encounters what looks like a mix of the aliens from Signs and that thing Geordi Laforge turned into in the “Identity Crisis” episode of Star Trek: The Next Generation.

As they continue to Ismere themselves, Merlin and Arthur get caught in an Endor Wookie trap and are later freed by some mercenaries who decide to kill them on sight. And just when it looks like our heroes have met their end a young man appears and says that it should be left to the Lady Morgana to decide their fate. “Hello Arthur,” says the grown-up Mordred. Uh oh…

Next time, we’ll learn what Arthur’s Bane really is. Hint: he’s not Camelot’s reckoning.

EPISODE NOTES

  • The winter shots look awesome. Full marks to the cinematographer as the series really stepped up its game shooting those scenes.
  • Nice shout to the White Witch from The Chronicles of Narnia with Morgana’s wolf-drawn sleigh. Actually, the whole episode was very good for both Morgana, and her portrayer Katie McGrath, and I love how the writers picked up on that weird torture flirting thing that Morgana did with Gwaine in The Sword and the Stone, Part 2.
  • This was also a very strong episode for Gwen, who seems to have really taken to the role of Queen by adding key strategic insight and shrewd judgement. Angel Coulby was very commanding in the scene where Gwen sentences Sefa to death, even Elyan had a look on his face that said, “Damn, that’s cold.”
  • Speaking of Sefa, did anyone hope that there might be  a less sinister outcome for her? Especially since she was making cute with Merlin in some of those early scenes.
  • Lindsay Duncan reappears as Queen Annis in the first of what’s supposed to be many familiar faces returning this season on Merlin.
  • Did anyone else wonder if Colin Morgan‘s juggling ability was natural talent of CG-enhanced?It look pretty real if it was the latter.
  • Although the humor was still there, one definitely sensed a maturation of Arthur and Merlin’s friendship. Merlin as well seems more bound by doubt than ever before after the encounter with Lochru, and tries to talk Arthur out of going on by sharing (some of) what Lochru told him. But a knight of Camelot never leaves a man behind, and the secret wizard who works undercover as the King’s servant doesn’t leave his sovereign behind.
  • One more thing: although it looks awesome, I kind of wish they’d stop doing the Zack Snyder 300 stuff during Arthur’s fight scenes. We get it, Arthur can kick a lot of ass. Maybe we can see some fights in normal film speed once in a while.

See you next week.

It looks like the final spell has been cast on the set of BBC One‘s Merlin. BBC One announced the show will end with a two part finale this Christmas after five seasons. Fans were teased last Comic Con 2012 with the hopes of a sixth season and a series of movies by the co-creator and executive producer Johnny Capps, but alas it was not to be.

There’s talk about a spin-off of the show, but there’s no concrete talk about what the show would be about and what characters would be involved, other than the spin-off being set in the world co-creators and exec producers Johnny Capps and Julian Murphy brought to life. Both of whom WILL NOT be involved as they are leaving Shine TV, where Merlin is produced, to set up their own production company.

BBC One posted a press release which included a nice farewell to the show and included the thoughts of many of the shows principle creative and acting talent.

Co-Creators and Executive Producers Johnny Capps and Julian Murphy:

This is the series where the storylines truly reach their apex. We always felt the story of the legend was best told across five series, leading to a spectacular finale that draws on the best known elements of this much-loved story and brings to a conclusion the battle for Camelot. We’d like to thank the amazing cast and crew for their professionalism and dedication, the BBC, FME and all of our partners globally for their incredible support and encouragement across the last five series. But chiefly, our thanks go to Merlin’s remarkable and loyal audience around the world for their enthusiasm for the characters and Camelot universe.

Colin Morgan, who played Merlin:

From the beginning this was always going to be a five year journey that we embarked on and I think the show has run its natural course. The show has grown and grown each year and now we’ve arrived at its strongest point and we’ve achieved what we set out to do… I know this is the end, and I know this is goodbye, but thank you for being there on the journey with us because it has been a lot of fun!

Bradley James who played King Arthur:

The Merlin years have provided me with fond memories, great experiences and beloved friends and all the while we were supported by a devoted fan base who made the show a unique, surreal and special experience. My words won’t do justice to the honour of being King Arthur so I shall just say that it has been an exceptional one and that knowing the show has been a part of so many people’s lives, has been humbling.

Katie McGrath who played Morgana:

I have always said the success of the show has stemmed from our audience being able to relate to the characters on different levels – being based on the universally loved Arthurian legend is only a tiny part of its success – it’s a story about acceptance and growing up. The breathtaking finale of this series leaves you with no doubt that characters have been on their journeys and had their stories told – it’s completely the right time to draw our telling of the story to a close.

Angel Coulby who played Guinevere:

It has been a very special and memorable five years making Merlin. I feel extremely proud to have been part of such a brilliant show and such a great team. I think we’ve told the story we set out to tell, which ends with the fantastic two part finale by the way! I believe the key to any successful show is making sure you leave people wanting more!

Richard Wilson who played Gaius:

Firstly I would like to say that I’m extremely sad that Merlin has come to an end. Speaking as Gaius, I feel I have mentored the young wizard as far as I can – he is much smarter and greater than me now and I am simply exhausted!

BBC One Controller Danny Cohen:

Merlin’s mix of magic, adventure and humour quickly became a hit with BBC One audiences and has continued to thrill families over the last five years on Saturday nights. I admire the creators’ decision to end Merlin on a high, but also know that we will miss it in the BBC One schedule. On behalf of BBC One I would like to thank Shine and all those involved in the making of the show both on and off screen. I hope fans will tune in over the coming weeks to see the spectacularly dramatic final episodes, and we have ambitious plans for new drama in the Saturday evening slot in 2013.

Via: BBC One & Bleedingcool

The trailer for the fifth season of BBC’s Merlin has hit the Internet and it looks like the series is set to delivery some serious Massive-Medieval-Magical action. All the series regulars are back, King Arthur (Bradley James), Merlin (Colin Morgan), Evil Morgana (Katie McGrath), along with some guest stars like Game of Thrones‘ Onion knight himself, Davos Seaworth, (Liam Cunningham).

Merlin co-creator Julian Murphy said the fifth series features a much:

“Stronger, focused and [more] powerful” (Merlin), I think it’s interesting because you saw a glimpse [of that] at the end of the last series, particularly when he killed Agravaine (Nathaniel Parker). We’re really interested in taking him on that journey with all its dangers and the temptations it will bring, so that will be a big part of the fifth series.”

Merlin will air on BBC One in the fall and in January 2013 on Syfy. Let us know what your excited to see in the fifth season in the comments section below.