Hundred Acre Woods

Not all (super) heroes wear spandex, capes, or cowls. Some (super) heroes don’t even wear pants or even underwear, preferring to go au natural from the waist down and a too-short, tight-fitting sweater up top.

Their powers don’t involve flight, super-strength, or invisibility, just the seemingly endless appetite for honey and waxing philosophical just when their human counterparts need them the most (i.e., during a mid-life personal and professional crisis).

That might sound like a curious mash-up of A.A. Milne’s beloved, self-aware, ambulatory teddy bear and Steven Spielberg’s much-maligned Peter-Pan-as-an-adult misfire, Hook, but Christopher Robin, directed by Marc Forster (World War Z, Finding Neverland, Monster’s Ball) from a screenplay credited to Alex Ross Perry, Tom McCarthy, and Allison Schroeder, easily one-ups Hook, delivering a poignant, moving paean to the carefree joys of childhood, the positives and negatives of nostalgia, the importance of family over work, and the value of people over profits (no, the irony isn’t lost on this writer, given mega-studio Disney’s involvement).

There are spoilers…

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