Movie Review

Nothing says redundant, unnecessary, and unneeded like a beat-for-beat, (nearly) shot-for-shot remake of a beloved animated classic like the faux-live-action (re) iteration of Disney’s beloved, 1994 animated classic, The Lion King. Since its premiere twenty-five years ago, The Lion King has become a permanent pop-culture fixture, passed on from generation to generation as one of – if not, the – highlights of Disney’s animation renaissance. Like practically ever Disney film-turned –classic, it’s become a self-perpetuating brand of its own, expanding to straight-to-video sequels, animated TV series, and a Broadway musical that’s become the highest grossing musical of all time. In short, we didn’t need a faux-live-action remake of a classic, maybe just a re-release or even a big-screen, old school animated sequel. For the Disney Industrial Complex eager to exploit its back catalog of animated classics, a live-action (or faux-live-action) version of The Lion King was all but inevitable. Just because you can, though, doesn’t mean you should. The bland, dull, ultimately soporific result, however, suggests that for once, the Disney Industrial Complex erred badly. (more…)

With Disney making major bank off the Marvel Cinematic Universe for the better part of a decade, it was inevitable other movie studios would try to do the same. Universal tried to kickstart their so-called “Dark Universe” with The Mummy just two months ago (they failed). Just as moviegoers have begun to lose interest, Paramount hopes to turn the Transformers series into a shared universe. (Get ready for Bumblebee to have his own standalone movie next year.) Warner Bros. looked like they were best situated to match Marvel superhero for superhero, but stumbled repeatedly over the last few years, finally righting the figurative ship earlier this summer with Wonder Woman. But what’s better than one cinematic universe? Two, of course. Which brings us to Annabelle: Creation, the prequel to the prequel/spin-off of what’s being called the “Conjuring Universe.” Here’s the thing: If Annabelle: Creation, a modestly budgeted, period-set, old-school supernatural flick directed by David F. Sandberg (Lights Out), is any indication, Warner Bros. just might succeed and at a fraction of the comic-book/superhero price.

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