tom hanks

As a fictionally famous scientist once said, more as a warning than a promise, “Life finds a way.” The same or similar idea applies to Disney-Pixar and the relentless desire and/or drive to leave no piece of intellectual property, even one as beloved by multiple generations as the Toy Story series, unexploited, regardless of the risks involved. The potential billion-dollar upside was simply too much for any profit-oriented movie studio to pass up. At least that’s what the average cynic would say, especially given the toyetic nature of the Toy Story series and a third, presumably final chapter, Toy Story 3, that seemed to end the series on the highest of high notes. Luckily, any fears or concerns about a potentially disappointing fourth entry don’t apply to Toy Story 4, an unreserved, unqualified triumph of story, character, and animation. It’s an all-ages appeal with more than simple, surface-deep pleasures but a film that will join the Pixar pantheon as both a series and a studio best.  (more…)

Each and every week we scour the Internet for nothing but the best in nerdy art. We leave no digital stone unturned, we poke and prod every nook and cranny of the Interwebz. Why? Because we love you, and we love to bring you weekly feed of nerd art. On with the dump!

Based on the famous surreal painting “The Son of Man” by René Magritte this parody piece by Ben6835 is a little more mutant and pizza than human and apple faced.  [Neatorama]

Hit the jump for “The Dude”, Snake Plissken and the Gotham gals wet n’ wild show!
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There are a lot of people out there who are going to love Cloud Atlas. Reversely, there are a lot of people out there who are going to hate Cloud Atlas. Me? I sat in the theater intrigued, enthralled and more than a little impressed that such box office heavyweights – including Tom Hanks, Halle Berry and Hugh Grant – and major Hollywood studio would throw their weight behind such an ambitious project with relatively little chance of return on investment.

Cloud Atlas spans no less than six stories that take place in the past, recent past, present, future, and far future. Several of the actors play multiple parts in all six storylines, which builds on and sells the film’s themes of life, truth, and the inter-connectivity of all people across the barriers of time and space. It’s a classic science fiction story of big ideas, and that’s in spite of the fact that several of the stories don’t even have what would conventionally be considered science fiction elements.

In the 1830s, a young lawyer tries to help a stowaway slave on a boat ride to San Francisco as the ship’s doctor tries to poison him. In 1930s Scotland, a young gay man leaves his lover and becomes apprentice to an aging composer. Forty years later, an ambitious reporter falls into a story of deadly, corporate corruption. In present day London, a book publisher becomes a victim of circumstance as he goes from having a best selling novel to ending up forcible indentured in a nursing home. In the early 22nd century, service industry workers are slave labor to a society of consumers, until one woman becomes a symbol for equality. And in the very far future, 100 years “after the fall,” a scientist seeks the means to contact Earth’s off-world colonies with the help of a simple, almost prehistoric like people.

Aside from the actors, directors Tom Tykwer, Lana Wachowski and Andy Wachowski weave light threads between each of the various stories. But what’s especially impressive is that they don’t dumb anything down. The film opens with a Hanks’ character from the far future story, sitting in front of a fire delivering a soliloquy, like the beginning of a Shakespeare play. We then get introductory glimpses into each of the other stories, they go by in a flash and as you struggle to keep up you’re getting a sense of the larger work at play. Fortunately, the directors take it easy on us and throttle back to to ease us into the story on each level. Where it goes from there is up to you, the viewer, I think.

The problem with Cloud Atlas is that people’s whose taste rarely tread beyond the typical Hollywood hogwash are going to be blown away with just how deep this movie is. I remember when Inception came out in the summer of 2010 and hearing people talk about how complex it was, and how one almost had to bring a notepad into the cinema with them to keep everything straight. When I saw Inception a couple of weeks later, this proverbial Rubix cube of a maze of a Chinese finger trap of a film never materialized. Sure, it was complex, but I didn’t need a program to keep it all straight.

Another apt comparison might be Terrence Malick’s The Tree of Life, an art house hit and Academy Award nominee that many felt was given a free pass to deep thematic appreciation because no one wanted to admit that the didn’t get lest they were perceived by the rest of the audience as being stupid. Some of that comes into play in Cloud Atlas, but Tykwer and the Wachowskis are speaking with a clear voice. Granted, they’re reaching back to deal with some of the same stuff they dealt with in the first Matrix, but unlike, say, Speed Racer, it seems like they have something to say again with this film.

And some of it works better than others, and sometimes it seems certain stories are put on pause for too long as attention is drawn to other areas. The chapter that takes place at sea in 1839 was surprisingly lifeless most of the time, but Jim Broadbent as the publisher that ends up trapped in the nursing home with a Nurse Ratched tormentor played by Hugo Weaving had some great highlights and some very funny scenes. There are some rather derivative beats in the 193os music plot and the 1970s business corruption story, but the performances make it work. For style points though it goes to the 22nd century adventure in Neo- Seoul, which realizes better than any other live-action film the vibe and aesthetic of Japanese anime classics like Akira and Ghosts in the Machine.

In the end, Cloud Atlas maybe a case of the parts on their own being greater than the sum. One watches the film transfixed, which is a marvel at the nearly three hour running time. Established Hollywood filmmakers like the Wachowskis are rarely this brazen, or this bold, and I feel that if nothing else, Cloud Atlas should be saluted in those terms. It’s challenging in all the good ways a film should be challenging, but its far from perfect, and in the conflict between those two facts lies the lightening rod that fans will be discussing this film around now and into the future.

On a final note, you may remember the release of Prometheus early this year was the film that was supposed to save big budget science fiction filmmaking, and you may remember how well that turned out. More to the point, I would say that Cloud Atlas fills that order. It suffers from the same problem of thinking itself more ambitious than it actually is, but in terms of audacity and scale, then Cloud Atlas definitely trumps Prometheus. But perhaps that will be the debate of 2012, which movie speaks to the future more… I leave to you Bastards to decide now.

With a budget of $100 million, Cloud Atlas marks the return of the successful Andy and Lana Wachowski. Collaborating heavily together on the screenplay and co-directing the film, the duo is now heavily into promoting the feature with co-director Tom Tykwer. So the Wachowski Starship (they have seriously been calling themselves that lately) have been busy, just not to busy to co-create a super secret new television series with Babylon 5 creator J. Michael Straczynski.

Variety reports that the Wachowskis and Straczynski have been pitching a mysterious new show to several networks called Sense8. The overall concept of the show is shrouded in secrecy for now with the only known information being that Sense8 will be an hour long series, that Straczynski will serve as Sense8‘s show runner, and the Wachowski siblings will direct several episodes.

Currently Straczynski is in the process of pitching a new thriller series for ABC, while the siblings are juggling press before the October 26th release of Cloud Atlas as well as prepping the production for their next mind-bender Jupiter Ascending, so do be surprised if we have to wait on Sense8 whatever the hell it is.

Source: Blastr

 

Before we get too far I will let you know this clip has one darn, spoilery ending. That being said, I don’t believe it’ll ruin the movie for you – otherwise, why release it? – and it’s likely this event won’t play out as we’re led to believe. It’s my understanding Cloud Atlas is throwing the accepted rules of a narrative’s flow out the window.

Still, here at the risk of a slight spoiler? Good for you, watch away,

Now tell me what the fuck is going on!? Intrigued me they have, but I really hope this flick isn’t too ambitious for its britches. I did like Darren Aronofsky’s The Fountain, which this reminds me a lot of, so maybe I’ll love Cloud Atlas and everyone else will hate it. That’s what happened with The Fountain, anyhow.

How are you guys feeling about Cloud Atlas?

Cloud Atlas opens October 26th.

Source: IGN

So now that the summer of superhero movies have come to a close, what’s there to look forward to? Well, there’s a number of exciting films on the horizon actually. One flick in particular, though, would have to be Andy and Lana Wachowski (the Matrix trilogy) and Tom Tykwer‘s (Run Lola Run) Cloud Atlas .The trailer for it  hit just a few days ago, and my lord…it’s poised to be one heck of a Sci-Fi spectacle!  I for one, am astonished at how wildly imaginative it is. There are six stories in the movie that the characters will appear in that cross through different genres and take place of over the course of a thousand years. (Basically, all the actors play different characters in different time frames of the story). I mean come one, how ambitious does sound? Plus, with this being a Wachowski joint, you know it’s going to be a visual treat.

If you haven’t checked out the trailer I implore you to do so (I’ve embedded it after the jump). I think you’ll be impressed. For the rest of you, Warner Bros. has launched the official website for the film, and included in the website are photos from every single character in the film. In these photos you’ll see  variations of actors Tom Hanks, Halle Berry, Jim Broadbent, Hugo Weaving, Jim Sturgess, Doona Bae, Ben Whishaw, James D’Arcy, Xun Zhou, Keith David, David Gyasi, Susan Sarandon and Hugh Grant.

Sure, some of the make-ups look like they were done from booted contestants from SyFy’s Face-Off, but it’s kind of remarkable how distinctly different each actor looks. Some of them are completely unrecognizable.

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This NerdBastard wasn’t thrilled about watching a SIX MINUTE trailer of Cloud Atlas this morning, but when the boss cracks the whip you either watch it, or tell him “Thank you sir, can I have another.” So I finished my TPS Report and sat down to watch this monstrous sized trailer.

Son of a bitch . . .

That damn Tom Hanks seems to have done it again. He’s visually the equivalent of the Morgan Freeman Voice over; warm, comforting, and pretty soon this NerdBastard was sucked in and hooked.

One warning though, the trailer is so long that the advertising in the embedded video will kick in at one point, don’t worry it’s only a 15 second break, although it is annoying as hell.

The movie is described as:

An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.

What did you think about the trailer? Everything I’d heard about Cloud Atlas was how huge and convoluted the book was and how could anyone let alone even the Wachowskis brothers bring it to the big screen and do it justice.

The good news is that the film hits theater screens on October 21st, 2012 so we don’t have long to wait. The movie stars Tom Hanks, Halle Berry, Hugo Weaving, Jim Sturgess, Susan Sarandon, Hugh Grant, Ben Whishaw, Keith David, Jim Broadbent, James D’Arcy, Doona Bae.

Is there a pie Tom Hanks doesn’t have a finger in? He’s working on movies, he’s producing television shows and now he’s helping to create Yahoo!‘s first original scripted web series. The animated show is a futuristic, sci-fi premise called Electric City and will be produced by Hanks’s production company, Playtone.

Yahoo!’s vice president, Erin McPherson, says of the show,

Tom actually created this. He wrote and he stars in the lead voice. It is animated and it has a science fiction bent and in that way, like all great science fiction, it definitely plays on what is the best type of society to live in and themes around energy usage, conservation and sustainability.

Expect an officially annoucement at CES. McPherson went on,

It is the perfect environment to talk about the marriage of technology and content. We wanted to start off 2012 with a very strong statement about our commitment to premium content and bringing the world’s best storytellers to life and utilizing our platform and our technology to do that.

I’m excited for more web content, and an animated science fiction web series is right up my alley. I wouldn’t associate Tom Hanks with science fiction though. Then again, who doesn’t love Tom Hanks? He’s easily one of America’s most likable actors and I can’t think of project of his I haven’t liked. [Note: I have not seen The Polar Express.] I’m definitely interested, but unsure. When I know more maybe I can make a better judgement. What do you guys think? I’m torn.

Source: Geek Tyrant

We knew this was going to happen. A film adaptation will be made of the third book in Dan Brown‘s Robert Langdon series, The Lost Symbol.

Ron Howard, who directed the first two films, The Da Vinci Code and Angels & Demons, has opted out of working on The Lost Symbol.  Instead, he’ll be producing it alongside his partner at Imagine Entertainment, Brian Grazer.

It looks like Mark Romanek is ahead of everybody else in the race to become the next director for this series.  Other works of his include One Hour Photo and Never Let Me Go.  Brown, himself, was involved in the writing of the screenplay for The Lost Symbol with Stephen Knight at his side.

Tom Hanks, who played the lead role of Robert Langdon may or may not reprise his role.  Who knows.

Personally, I’ve read every single one of Brown’s books before The Lost Symbol was released and they were okay on their own.  But when you’ve read all of his books and realize that he operates on a very simple, static, formula for each one of his books… you start to hate them.  But the controversy that The Da Vinci Code inspired was one of the selling points of this series.  And, of course, Sony would make it a priority to Hollywood-ize this last installment of that series, especially given how well the first two movies did at the box office.  Actually, I don’t know if it’s the last but I sure hope it is.

Source: Deadline